Ken Micallef

Lucca Chesky’s LC1 bookshelf speaker was a hit at AXPONA and Capital Audiofest, so it made sense to see Chesky’s stand positioned prominently outside one of High End Munich’s large halls.

Two well-known French high-end audio brands, Kora and Diptyque Audio, debuted new products together at High End Munich.

By this stage of the Munich show, I was frazzled but still hungry for more. The Thrax/Ramar room delivered, with Thrax's Rumen Artarski and Ramar's Rangel Vasev presenting a compact, well-executed system and a set of ingenious vinyl accessories.

The Spin Doctor, Michael Trei, and I visited the booth of Korf Audio’s Alexey Kornienkov, who showed two new products: the TA-CF9 monocrystallic sapphire arm tube/reference tonearm ($5600), and an updated version of his HS-A03 ceramic headshell ($215; all prices approximate when converted from Euros).

Robert Auer of Auer Acoustics isn’t just selling loudspeakers—he’s curating a lifestyle. A shrewd furniture designer, Auer showcased his holistic vision at the Munich show, integrating his Mr. Auer Chair ($110, prices approximate when converted from Euros) and Auer Acoustics Panzerholz Rack ($5700) into his sound system. His website [robertauer.com] further blurs the lines, offering everything from recipes to kitchen solutions and even a custom trolley for his signature chair. This approach transcends audio, offering an entire, well-appointed existence.

Serbian manufacturer NAT Audio produces a range of eclectic tube amplifiers, including the single-ended, class-A Transmitter EVO monoblock. At the amp’s core is the massive Siemens RS687 QB5/1750 power tetrode tube, which delivers between 40W and 80W of output.

Before the show, I’d heard rumblings about the new Swiss-made Thales Reference turntable. Art Dudley had previously reviewed the Thales TTT-Compact turntable and Simplicity II tonearm, writing: “In 34 years of writing about playback gear, I have seen no products better made than the Thales turntable and tonearm, and precious few that equal them.”