Some people, including some audiophiles, believe that product habituation is what's really behind what some people refer to as product break-in. It's not a mechanical or electronic phenomenon, they contend, but a mental one. Assuming the sound of the new gear is of adequate quality, it's the listener that breaks in to the product, as the product's sound, which was initially strange, grows more familiar and, so, right.
This year's annual audio-industry cocktail/supper ceremony was held in a ballroom-like room that gave the proceedings a bit of an Oscar-night flair. (Our invitation to Will Smith was rescinded in light of current events.)
GO, KLH! The brand has become one of my coup de coeurs—which loosely translates as "darlings of the heart"—based on the two models I've heard at the show, the Model 3 in the Le Studio du Son room and now the Model 5 ($3750 w/stands) in this room.
When I first saw the big black banner on the wall in importer/distributor Asona's room, which was, despite the chronological order of my postings, actually one of the first rooms I'd visited at the show, inscribed in big bold letters with Innuos across it, I thought: "Hey, Innuos, isn't that the company that makes streaming products?
I seem to hear and read less about electrostatic speakers than I used to.
Montreal retailer Studio du Son's room was a blast from the past, complete with peace-sign door beads, a 50s-style wood-framed Black & White TV—okay, technically it was a blast from at least two different pasts—vintage photos of old-school rock stars, and a fat-knobbed radio and record player console. Oh, and KLH speakers.
You want sound that's narcotically intimate? Seductively expressive? Molecularly textured?
I never really got the sound of Klipsch speakers at past shows, but I did this time, in a big way, in the Capital Sound room, where the Klipsch La Scala III ($17,500) was making seductive, sophisticated music.
Maybe the earth-toned, smoke-spewing phallus standing in the back of the room had something to do with it.