Herb Reichert

Epos and Creek

Roy Hall, the master of the "wee dram" (of single-malt Scotch) was demonstrating all this Creek wonderfulness with the Epos K3, three-way, floorstanding loudspeakers ($2395/pair) which, like the Creek gear that he distributes in the US, showcased beauty, charm, fine detail, and of course: a wee bit of drunken revelry.
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Moon by Simaudio

Moon by Simaudio's new Neo ACE ($3500, left) looks and sounds and feels like a 21st-century version of a classic Marantz receiver. It is a 50Wpc, class-A/B integrated amp featuring Simaudio's MiND (Moon intelligent Network Device) digital library interface, and a high-resolution DAC with DSD decoding up to DSD256 and 32-bit/384kHz PCM.
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Adcom: another happening scheme

Adcom introduced two new products at CES 2016: The 250Wpc, GFA-565se stereo amplifier ($1499, rear) and the Luna wireless music system ($599, front). Like the Naim Mu-so, Adcom's version of "industrial design awesomeness"—the Luna also connects in the most happening ways: WiFi, aptX Bluetooth, USB, UPNP/DLNA, 3.5mm analog input and headphone jack.
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Naim's New Mu-so Qb

Naim Audio's beautiful Mu-so ($1495)—introduced a year ago—delivered on both counts, and like its predecessor, Naim's new Mu-so "Qb" ($995) is a 5-driver, stereo 3-way design (300W total power) that plays music with grace and acuity but with a smaller footprint and a lower price. The Qb's cubic volume accented by its beautiful bulging grills just screams Museum of Modernity and Wholesome Futurism.
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The Earphone Evolution is Now!

George Cardas has been making fine-quality interconnects and loudspeaker cables since 1987. But, in 2009, he saw the future and started experimenting—looking for a technology to create a truly audiophile-quality in-the-ear loudspeaker. I went to the Cardas room at CES with the hope of experiencing his new prototypes; in-ear phones where the tiny earspeaker driver is positioned deeeeeep into the listener's ear. However, George was not there and neither were the deep-ear drivers. But! I was able to audition the brand new A8 earspeakers ($299).
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ELAC & Mr. Jones

Everywhere I go I hear about Andrew Jones the speaker design wizard, and how suddenly, this "trending" new combination of established manufacturing smarts (ELAC America) and engineering magic is making high-value speakers at astonishingly low prices. (I had just submitted a review of the ELAC Debut B6 for the May issue of Stereophile before boarding the plane for Vegas.)
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New Preamplifier from Rogue

Sometimes, even in audio, numbers do speak for themselves. I reviewed the Rogue Sphinx ($1395) almost two years ago—and still, everyday I like it more. The Sphinx continues to deliver more quality sonics (into a wider variety of speaker loads) per dollar than any amp I ever knew. Now they appear to have accomplished the same thing again—this time it is a beautiful little $1695 preamplifier called the RP-1.
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Craft from Audio Craftsman

His name was Thom Pahmer and he broke all my rules: It was 10am the first day of the show and I walked in to his empty room, I introduced myself, "Good morning. My name is Herb Reichert and I covering the lower cost part of the High End for Stereophile—and I am especially interested in stand-mounted speakers." Mr. Pahmer looked at me crossly and said, "These are NOT stand mounted speakers!" I pointed at what I thought was a stand and he says, "The speakers are bolted to them—it is all one unit." I asked about the retail price and he told me, $5500/pair.
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Technics: The Force Awakens in Las Vegas

The reemergence of Technics on the world audio scene is, I believe, the biggest audio news of 2015–2016. I reviewed their SB-C700 stand mounted monitor speakers in the January 2016 issue and they already feel like my 2016 nomination for Stereophile's Product of the Year; but obviously it is still way early. Nevertheless, Technics is back with two lines of stylish excellent sounding equipment...
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