Herb Reichert

I fell in love with this new, cool, 5mm-thick, two-layer, bi-rubber compound mat . . . Only one problem: It costs $400.

I am a sucker for the new breed of desktop "wireless" loudspeakers—when they look and sound as natural and dynamic as the new Audioengine B2 Premium Bluetooth loudspeaker, I can dance around, sing, dream on Bartok, or play air guitar while streaming Tidal or WFMU. You are invited!

The newly styled Roksan K3 integrated amp ($2500 with aptX streaming), the K3 CD player ($2500, which I am dying to review), and the soon-to-be-released K3 DAC ($2500) are so art-deco cool and artfully streamlined in their appearance that I was both gob-smacked and envious of the person who drew the lines that created these elegant faceplates.

I liked the sound of the music in this room. Driven by a Calyx M series music player and a Virtue Audio, "Virtue One" class-T integrated amp ($499), the Well Rounded Sound EXP loudspeakers ($1599/pair) and the WRS SUBST sub ($799) played the joyous hell out a variety of musical selections.

My CES encounter with Hegel featured the 75Wpc H80 integrated amp ($2000) driving (are you ready?) the Magico S-1 loudspeakers ($12,900/pair).

The new Audeze EL-8s ($699) are not just moderately-priced alternatives to the reference quality LCD-Xs—they offer their own special brand of reference quality and new technologies.

To me, the most important issue surrounding the digital vs analog debate is not sound quality (each has their virtues). It is always the user interface: Must I use a keyboard, a remote, or a tonearm finger-lift? I love turntables, tonearms, and cartridges. I especially love them when they are inexpensive, beautiful, easy to use, come with a mounted and aligned Audio Technica cartridge and, amazingly, a uni-pivot tonearm like the new $999 Thorens TD-203 does. Fit and finish looked superb.