Jason Victor Serinus

Cecilia for the New Year

Jason Victor Serinus Dec 31, 2017

Cecilia Bartoli is back. After far too long without a new "solo" recording venture, the phenomenal mezzo-soprano returned to the microphone this past March, three months before she turned 51, to record nine Dolce Duello (Sweet Duels) with the 1759 baroque cello of Sol Gabetta. Supported by Sol's ensemble, Cappella Gabetta, under the leadership of her violinist brother, Andrés Gabetta, the two women deliver one sweet delight after the other.

Jason Victor Serinus

Del Tredici's Child Alice for the Holidays

Jason Victor Serinus Dec 24, 2017

If the holidays are a time for fantasy, what better way to celebrate than with the first complete recording of David Del Tredici's (b. 1937) absolutely fantastic fantasy, Child Alice for soprano and orchestra? Based on the "Alice" adventures of Lewis CarrollAlice's Adventures in Wonderland (1865) and the sequel, Through the Looking Glass and What Alice Found (1871)the first part of Child Alice, entitled In Memory of a Summer Day, won the 1980 Pulitzer Prize in Music, and helped solidify the then 43 year-old composer's position as the foremost exponent of the Neo-Romantic movement in music.

Digital Processor Reviews Media Server Reviews

Aurender A10 network music player/server

Jason Victor Serinus Dec 21, 2017

A huge fuss was made over Aurender's first music server, the S10, when it premiered in 2011 at the California Audio Show. While I didn't feel that the room acoustics and setup were good enough at CAS to permit an honest appraisal, the looks and features of the S10 (now discontinued) thrust Aurender into the spotlight. So when John Atkinson, who had very favorably reviewed Aurender's N10 server in April 2016, asked if I would evaluate Aurender's new A10, the opportunity to serve so many audiophiles with a single review elicited from me an unequivocal "Yes!"

Jason Victor Serinus

Seattle and Dausgaard Welcome Us to Nielsen's World

Jason Victor Serinus Dec 17, 2017

For those unfamiliar with the symphonies of Danish composer Carl Nielsen (18651931)that includes methe startling opening of his Third Symphony, "Sinfonia espansiva," will undoubtedly come as a shock. Its relentless pounding chords, played at an accelerating pace by the entire orchestra on the same pitch, may owe more than a little to Beethoven's Third Symphony, "Eroica," but their language is far more modern, and reflective of an era profoundly unsettled. Heard in high-resolution stereo (24/96 WAV) in the new live recording of Nielsen's Symphonies No. 3 and 4 from the Seattle Symphony, conducted by their Music Director Designate, Thomas Dausgaard, the symphony's opening volley seems calculated to catch us off guard, and convince us to listen with care to whatever may follow.

Jason Victor Serinus

Rachel Podger's Grand New Baroque SACD

Jason Victor Serinus Dec 10, 2017

Few violinists would consider saddling a recording with a title as grand and potentially pretentious as Grandissima Gravita. But not only is Rachel Podger's latest Channel Classics hybrid SACD with her ensemble, Brecon Baroque, grandly playedPodger is brilliant as alwaysbut its title also serves as an apt descriptor of the emotional tenor of most of the works on the program.

Jason Victor Serinus

Dreaming with Pretty Yende

Jason Victor Serinus Dec 03, 2017

At age 16, South African soprano Pretty Yende (b. 1985) encountered the now legendary British Airways TV commercial whose soundtrack included the gorgeous "Flower Duet" from Délibes's Lakmé. Now, at twice that age, Metropolitan Opera star Yende has released her second solo album for Sony. Entitled Dreams, the recording is packed with well-known, high-flying soprano coloratura calling cards.

Digital Processor Reviews Media Server Reviews

dCS Network Bridge network player

Jason Victor Serinus Nov 30, 2017

John Atkinson asked me to review the dCS Network Bridge ($4250), which was designed to be paired not just with the dCS Vivaldi DAC ($35,999) running the current v.2.02 software, but with any DAC. This meant I was forced to endure several months with the state-of-the-art Vivaldi as a replacement for my reference dCS Rossini ($23,999). Oh, how I suffered.

Jason Victor Serinus

Brahms Piano Trios from Ma, Ax, and Kavakos

Jason Victor Serinus Nov 26, 2017

Overflowing with heart, Brahms' three Trios for violin, cello, and piano are amongst the most venerated chamber works in the literature. Completed over a span of 35 years, they reveal Brahms forever true to his love and longing. Again and again it surfaces, expressed through an irrepressible love for melody, Hungarian and gypsy sentiments, romance and drama that sings and sighs at its most vulnerable in this special, two-disc Sony recording of the Brahms Piano Trios from cellist Yo-Yo Ma, pianist Emanuel Ax, and violinist Leonidas Kavakos.

Jason Victor Serinus

René Jacobs' take on Mozart's Requiem

Jason Victor Serinus Nov 19, 2017

Every conductor who undertakes Mozart's Requiem must ask one fundamental question: Whose Requiem shall I conduct? After René Jacobs asked the question, he can up with a novel solution for his new period-aware, decidedly contemporary Harmonia Mundi recording of the Requiem with the Freiburger Barockorchester and RIAS Kammerchor.

Jason Victor Serinus

Philippe Jaroussky's Exquisite Handel

Jason Victor Serinus Nov 10, 2017

"Exquisite" is not a word to be invoked lightly. In the history of vocal music on record, there has been only one singer to earn that appellationsoprano Maggie Teyte, Debussy's second Melisande, whom the great Polish tenor Jean de Reszke dubbed "L'Exquise." To that exalted category must now be added countertenor Philippe Jaroussky, whose latest recording for Warner, The Handel Album, contains some of the most exquisite singing I have ever been privileged to hear.