Stephen Mejias

The Entry Level #21

John Cage, Indeterminacy, C.F. Peters No.68142. Copyright 2009, by Henmar Press, Inc. Reprinted by agreement with Wesleyan University Press and the John Cage Trust.

When I began my junior year at Fairleigh Dickinson University, in Teaneck, New Jersey, I'd already fulfilled the main requirements for graduation, but still had a number of credits to put toward elective studies. The courses in yoga and bowling were already closed, so I devised an independent course in experimental music. Thinking about it now, it seems a strange miracle that the university allowed me to come up with such a thing. Fairleigh's music department had long been abandoned, forgotten, traded in for the money that comes with well-publicized investments in business, economics, and a fast-growing foreign-exchange program. To me, however, FDU's decision to neglect the arts was a blessing: There, in the quietest corridors of Weiner Library, was a world full of LPs, turntables, music journals, and more—all a bit dusty, perhaps, but nonetheless beautiful, and all seemingly reserved for me.

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Matmos: The Ganzfeld EP (and Incase headphones)

I will not pretend to understand the concept behind The Ganzfeld EP, electronic duo Matmos’ upcoming release, but I will simply say that I dig it, deeply. From the press release, because I can’t say it any better:

The EP and the album [The Marriage of True Minds, available early 2013] have the same conceptual basis: telepathy.

Telepathy!

For the past four years the band have been conducting parapsychological experiments based upon the classic Ganzfeld (“total field”) experiment, but with a twist: instead of sending and receiving simple graphic patterns, test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. During videotaped psychic experiments conducted at home in Baltimore and at Oxford University, test subjects were asked to describe out loud anything they saw or heard within their minds as Drew attempted transmission. The resulting transcripts became a kind of score that was then used by Matmos to generate music. If a subject hummed something, that became a melody; passing visual images suggested arrangement ideas, instruments, or raw materials for a collage; if a subject described an action, then the band members had to act that out and make music out of the noises generated in the process of the re-enactment.

The result, to which I am now listening and which is in turn driving me crazy, is perhaps the greatest work I’ve heard from Matmos&#151and that’s saying a lot, as Matmos generally blows my mind.

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Magico S5 at David Michael Audio

Photo: Magico LLC

Saturday, September 29, 11am–6pm: David Michael Audio (4341 Delemere Court, Royal Oak, MI) will host a demonstration of the Magico S5 loudspeaker ($28,600/pair), which had impressed John Atkinson at the 2012 Newport Beach Show. Irv Gross, Magico’s director of sales, will be on hand to present the speaker and answer any questions. Refreshments will be served. Seating is limited. For more info, call (586) 244-8479. RSVP: info@davidmichaelaudio.com.

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Jagjaguwar Sounds on Drip.FM

Drip.FM offers an interesting new way for music lovers to connect with their favorite record labels. The platform is free to participating labels, with no sign-up costs or usage fees; Drip.FM makes money when the participating labels make money, through a revenue share on sales. Labels set their own user-fees for access to a Drip.FM account. While content varies depending on the label, fans can expect to receive digital files (MP3 and WAV) of new titles on the day they are released (or sooner); randomly selected back-catalog titles; and plenty of enticing perks, such as exclusive, subscription-only tracks and remixes, and other giveaways (imagine: t-shirts, posters, LPs, CDs, concert tickets).

Back in June, AudioStream’s Michael Lavorgna reported on Domino’s new Drip.FM service.

Founded by Ghostly International and currently operating in closed beta, Drip.FM has also partnered with Dead Oceans, Dirtybird, Fool’s Gold, Luaka Bop, Mad Decent, Morr Music, Now-Again Records, Planet E Communications, Stones Throw, Wav.Pool, and now Jagjaguwar.

I recently signed up for an account with Jagjaguwar.

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Lamps and Stuff

My latest addiction is “Stuff I’ve Been Reading,” Nick Hornby’s column for The Believer. I know: It's very hipster/nerdy of me to be reading this stuff; you might even think I live in nerdy Brooklyn. But, I swear, I live in Jersey City, and I have completely sincere and profound reasons for reading The Believer and "Stuff."

Not only does it remind me of how much I admire and enjoy Hornby’s writing—he’s clear, deep, funny, and extremely likable even when he’s being snarky and clever—but it also fuels my passion for reading. And when I read, I feel like a better person: stronger, smarter, healthier, whatever. Profound, see?

When I read, I at least feel like I have something to say. When I read, I’m happy.

You should check it out. In the preface to Housekeeping vs. the Dirt, the second of four published collections of “Stuff,” Hornby reminds us that reading addresses many of our needs, none more important than simple pleasure. Read the books you like, and don’t let anyone tell you that you shouldn't enjoy Moby Dick or The Hunger Games or whatever.

There’s something to be learned here, even for you know-it-all audiophiles.

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Teen: In Limbo

Other than the fact that they’re a bunch of cute girls with a suitably high level of cute-girl energy, Teen isn’t the sort of band I typically get into. They’re not rapping about sex and money; they’re not just turning knobs on analog synths or chopping up bits of field recordings; they’re not sampling obscure 78s; they’re not playing 24 saxophones at once; they’re not making their guitars sound like vacuum cleaners; they’re not really lo-fi, but they’re certainly not hi-fi; they’re neither terribly weird nor completely normal. They’re somewhere in between. And, if you know me, you know that I tend to run screaming from that sort of thing. But there’s something about Teen’s sound, despite the fairly straightforward instrumentation (guitars, drums, keys, voices, percussion) that keeps me coming back.

That, by itself, is probably reason enough to buy the record, but I remain conflicted.

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Diogenes: Digital Home for Experimental Music

Over at AudioStream, my man Michael Lavorgna mentions Diogenes: Digital Home for Experimental Music. I stumbled upon the site yesterday. Thinking that ML would love it, I forwarded the link to him immediately. I was right!

For the adventurous music lover who craves new, unusual sounds&#151stuff that might challenge, that might delight, and that will certainly expand your mind&#151and for the audiophile who primarily uses a computer as a source, Diogenes is an online heaven.

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The Entry Level #20

It was another flawlessly beautiful spring morning, and I was in Bay Ridge, Brooklyn, to help John Atkinson pack up the Lansche Audio 5.1 loudspeakers ($41,000/pair). John had only just completed his listening and bench tests (see his review in the July issue), and was not ready to let go of the lovely Lansches—but the speakers would be picked up by a trucking company that afternoon and sent to our cover photographer, Eric Swanson, in Santa Fe, New Mexico. Each Lansche measures 40.9" tall by 10.1" W by 19.3" D and weighs 167.5 lbs—packing them and securing them to a shipping pallet is definitely a two-man job. In our case, that job required a lot of wheezing, a little bleeding, and just the right amount of cursing. And because it was only 11am when we met, we were obliged to accomplish the task without the aid of beer—a crying shame, if you ask me—but we handled it in our usual, manly fashion.
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