Stereophile readers often wonder about how products are chosen for review, and, as I said at the SSI "Ask the Editors" panel discussion, the Monitor Audio Platinum 200 provides a case in point.
Like many Stereophile readers, I read with great interest, and a certain amount of incredulity, Jason Victor Serinus's rather gushing CES report on the Sennheiser HD800 headphones. Now, I have a lot of respect for JVS's opinionswe share an appreciation of opera and other vocal music, and we're both great fans of Fritz Wunderlichbut, reading his report, part of me was intrigued and another part was thinking "Come on, Jason, these are just headphones, what's the big deal?"
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weighthich they apparently can.
Is it just my perception, or do people who are looking through bins of LPs have a kind of happy excitement about them? The vinyl-buying folks at SSI sure seemed to be a really happy lot. Selecting CDs seems to be a much more matter-or-fact endeavor. And I can't imagine anyone getting too excited about the act of buying a new hard drive for their music server.
The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.
SSI had a display of vintage gramophones and radios, courtesy of Montreal's Emile Berliner Museum. They've had this for several shows now, and it's always wonderful to see these artifacts that tell the history of our hobby. The Museum is member-supported, and publishes a pamphlet, His Master's Voice, four times a year, in English and French.