John Atkinson

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John Atkinson  |  Dec 01, 2015  |  4 comments
The 2015 T.H.E. Show in Southern California clashed with my having to be in the office to ship our August issue to the printer, so I wasn't able to attend. But in devouring the online coverage on www.stereophile.com and its sister sites, on InnerFidelity.com I found a report by Tyll Hertsens about two new hi-rez portable players that made their debuts at T.H.E. Show: Questyle Audio Technology's QP1 ($599) and QP1R ($899).
John Atkinson  |  Mar 13, 2013  |  4 comments
The mighty Focal Grand Utopia EM loudspeakers ($190,000/pair), which use field-coil energized woofers, took pride of place in one of the two big rooms on the Doubletree's ground floor sponsored by Chicagoland dealer Quintessence. Driven by two-chassis Pass Labs Xs300 monoblocks with Kubala-Sosna cabling throughout the system, both the 1950s Duke Ellington and Johnny Hodges collaboration "Back to Back" and the Reference Recordings Rutter Requiem were reproduced with a stunning combination of vocal purity and instrumental majesty. Source was a file fed by USB to a Playback Designs player/DAC.
John Atkinson  |  Mar 13, 2013  |  8 comments
Chicagoland dealer Quintessence devoted a large ground-floor room to the Fine Sounds groups of companies—Sonus Faber, Audio Research, Wadia, and Sumko/REL—along with the superb racks from Harmonic Resolution Systems and a Clearaudio/Benz Micro LP player. A pair of the Sonus Faber Amati Futura speakers that I reviewed in May 2012 ($36,000/pair) was being vertically bi-amped with two tubed Audio Research Ref250 monoblocks driving the midrange/tweeter sections and two solid-state Audio Research DS450M monoblocks for the woofers. No fewer than four REL powered subwoofers were handling the low bass. Preamp was the Audio Research Ref5 SE that Brian Damkroger and Bob Reina raved about in Stereophile.
John Atkinson  |  Aug 11, 2002  |  0 comments
"My god. This was better than any hi-fi I had ever experienced—I actually had Sergei Rachmaninoff in the room, playing Mendelssohn just for me. I am not ashamed to say that I wept." I wrote those words in the January 2001 Stereophile, about hearing a piano-roll transcription of Rachmaninoff performing Mendelssohn's Spinning Song (Op.67 No.34) on a Bösendorfer Imperial 290SE reproducing piano. I was in the middle of recording Robert Silverman's cycle of Beethoven piano sonatas at the Maestro Foundation in Santa Monica, where there just happened to be a floppy disk with Wayne Stahnke's transcription of the Rachmaninoff for the Bösendorfer mechanism, which Stahnke invented.
John Atkinson  |  Sep 04, 2005  |  First Published: Jun 04, 1995  |  0 comments
It was a classic American tale: hearing that the head honcho of RadioShack was in town, the principals of Oregon-based high-end loudspeaker manufacturer Linaeum found out where he was staying and called him to see if RadioShack would be interested in marketing their speakers. They were rewarded for their daring by being given an introduction to the right RadioShack department head, and before you could say time-coherent, a deal was struck for RadioShack to manufacture a new line of three "audiophile" loudspeakers featuring a version of the unique Linaeum tweeter. The less-expensive Optimus Pro X77 and LX4 models use a baffle-mounted tweeter that radiates just to the front; the top-of-the-line Optimus Pro LX5 reviewed here mounts a bi-directional tweeter on the top of a diecast aluminum enclosure.
John Atkinson  |  Apr 21, 2013  |  1 comments
The first room I visited at the NY Audio Show was one of the best-sounding. The third of three rooms displaying brands sold by Manhattan retailer Sound by Singer—click here and here for our reports on the other two—it featured the world premier of Danish Manufacturer Raidho's D2 loudspeaker ($43,500/pair in black, $48,000/pair in gold walnut). The D2 combines the ribbon tweeter used in Raidho's well-regarded D1 minimonitor with two 4.5" woofers that use a diamond-coated cones.
John Atkinson  |  Nov 23, 2007  |  First Published: Oct 01, 1995  |  0 comments
"All great editors are men able to see how stories, episodes, and personalities flow and merge one into the other to reproduce the pattern of a world that only their own inner eye perceives.—Henry Robinson Luce, Founder, Time and Life magazines
John Atkinson  |  Sep 12, 2013  |  3 comments
Photo: Dolby Laboratories

We are saddened to learn of the passing of inventor and audio entrepreneur Ray Dolby. Other sites have published full obituaries; I'd like simply to offer my memory of interviewing Ray back in the spring of 1977 for the English magazine Hi-Fi News, when Dolby Laboratories were trying to get the BBC interested in using Dolby noise reduction in FM broadcasting. Despite my being a neophyte audio writer, I was treated with courtesy and respect by a man who had forgotten more about audio engineering than I knew.

John Atkinson  |  Jan 14, 2011  |  0 comments
I first encountered the glass-enclosured Force dipole loudspeaker from Perfect Eight, which combines a full-length ribbon with 8 cone midrange units and a subwoofer handling the load below 60Hz, at the 2008 CES. Their 2011 dem, with the speakers driven by Ypsilon amplification, was noteworthy for having invited Ray Kimber to talk about and play some of his IsoMike recordings. (Ray is seen here on the left in my admittedly rather grainy photo—it was dark—with Perfect Eight's Jons Rantila.) I listened first to soloists from the Academy of St. Martin-in-the Fields performing a movement from the Mendelssohn Octet, then to a Mozart piano sonata movement by Robert Silverman (the latter one of my "Records to Die For" in the February 2011 issue). Despite my skepticism about glass as an enclosure material, the sound was natural and uncolored.
John Atkinson  |  Oct 13, 2002  |  0 comments
When it was suggested that I call in on speaker manufacturer RBH Sound during a planned trip to Utah in the fall of 2001, my response was "Who is RBH?" To my embarrassment, the speaker company had not popped up on my radar screen since it was formed in Los Angeles in 1976. However, I had certainly heard some of the speakers they had manufactured for other companies, most notably the McIntosh models of the early 1980s, with their line arrays of dome tweeters.

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