John Atkinson

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John Atkinson  |  Jun 02, 2006  |  First Published: Jun 03, 2006  |  2 comments
Yesterday, we published a photo—see http://blog.stereophile.com/he2006/060106dryeye—of audiophiles listening to a CD-R of the provisional master of "Shenandoah" from my new recording of Cantus' There Lies the Home album, due for release in July, on the new Wilson WATT/Puppy 8s. You can see in that picture Wilson's Peter McGrath about to shoot a photo. This is what he captured. But what is Mikey Fremer holding in his hand?
John Atkinson  |  Feb 09, 2003  |  0 comments
"What? What??? No Smiths?" asks reader Steven J. Wilder in this issue's "Letters" (p.9), regarding my interjection in the "Honorable Mentions" sidebar of last November's "40 Essential Albums." Hey, I think The Smiths suck—okay, Mr. Wilder? Morrissey's self-absorbed adolescent whining had no place on a list that included music from such grownups as Morrison, Mitchell, and Mingus. I'm not alone in this sentiment. Jon Iverson, www.stereophile.com's webmaster, almost stapled together the pages of Mojo magazine's April 2001 retrospective of Morrissey's and Marr's music so he could skip over it without running the risk of the veins on his forehead exploding.
John Atkinson  |  Jul 01, 2007  |  First Published: Dec 01, 1989  |  0 comments
They say that time flies on faster wings once you pass 40, something that I have found to be more true than I care to think about. Yet even considering the unfortunately subjective nature of time, it hardly seems possible that it was 10 years ago, in those golden days of the first Conrad-Johnson preamplifier, Infinity RS4.5 and Hill Plasmatronic loudspeakers, Infinity class-A and Audio Research D110B power amplifiers, that a small San Francisco company, led by a drummer and mechanical engineer who had previously worked on laser-fusion target design at Lawrence Livermore Laboratory, virtually invented the high-end cable industry. I say "virtually," because Jean Hiraga in France, Robert Fulton in the US, and Saboru Egawa in Japan had laid down considerable experimental work in the mid-'70s showing that interconnects and speaker cables were hardly the passive devices conventional engineering considered them, and the highly capacitative Cobra Cable, distributed in the US by Polk and in the UK by Monitor Audio, was already destroying marginally stable power amplifiers in 1977.
John Atkinson  |  Apr 16, 2019  |  3 comments
"Good grief! They are using Quads!" I used to use Quad ESL-57s in the mid 1980s before I moved to the US and in some ways, no other speaker has come close to the sonic transparency offered by these idiosyncratic-looking electrostatic speakers. But to see and hear an original pair dating from 1958 in the room shared by Michigan dealer/manufacturer Nokturne Audio and Lejonklou HiFi from Sweden was a highlight of the 2019 AXPONA.
John Atkinson  |  Oct 22, 2010  |  3 comments
New York-based Nola was showing its Metro Grand Reference speakers at RMAF ($25,000/pair). Combining a Raven ribbon tweeter and a 4" midrange, both mounted on an open baffle, with two 6.5" reflex-loaded woofers, this slim tower, driven by an Audio Research Reference 210 power amplfier, Reference 5 preamplifier, and CD8 CD player via Nordost cabling, produced more bass than I thought possible, given its modest drive-unit array. The response is specified as being 6dB down at a low 26Hz. This was one of several systems at RMAF using the Quantum QX4 AC treatment device from Nordost.
John Atkinson  |  Oct 20, 2011  |  0 comments
A large name for a large loudspeaker, Nola's Baby Grand Reference Series II, which combines four Raven ribbon tweeters with two 9" magnesium-cone woofers and four proprietary 4.5" midrange units, was being demonstrated with Audio Research Reference 250 amplifiers and front-end, Nordost cables, a QX4 system conditioner, and a Silver Circle Pure Power One 5.5 AC isolation transformer. Like many rooms at this year's RMAF, a Billie Holiday track was playing when I went into the Nola exhibit—in this case, "Lover, Come Back to me"—and even in mono, the sound was immersive. The Show speakers had an attractive piano-gloss rosewood finish and they featured the 3.5-way Unison Xtreme Crossover System, implemented on three separate boards and integrated into the speakers themselves. The speaker's price of $55,000/pair will be maintained until the New Year, when they will rise to $58,000/pair.
John Atkinson  |  Jan 16, 2014  |  3 comments
On first glimpse, Nola’s Carl Marchisotto appeared to be demming the same Concert Grand Reference Gold loudspeakers he had shown at the 2013 CES. However, those were the preproduction protypes and the 2014 show featured the production version. Costing the same $197,000/pair, the speaker features a new ribbon supertweeter taking the response up to 100kHz and two new Gold Technology woofers operating below 40Hz. Driven by an Audio Research Reference 75 stereo amplifier and an Audio Research Reference 10 preamp, with source two United Home Audio Tape decks running 15ips, 2-track analog tape and hooked up with Nordost Odin cabling, the sound in this room had an impressive, full-range sweep that usefully loosened up as the show progressed and the speakers/system broke in.
John Atkinson  |  Oct 30, 2014  |  7 comments
For a reviewer, deciding which products to write about is a tricky business. You want to do a professional job of evaluation, but you also want to be able to wrest maximum enjoyment from your music while you do so. Attending audio shows is where reviewers perform sonic triage, weeding out the products that aren't ready for prime time, and making a note of those they wish to invite home after the show.
John Atkinson  |  Apr 06, 2011  |  0 comments
The other system I auditioned in the Clarity room featured Nola Viper Reference speakers ($16,000/pair) driven by a Mimetism 7500 CD player and 7500 amplifier and with AC power conditioned, as it was for the YG/Jones system in the next story, by a Silver Circle Pure Power One isolation transformer (a Mikey Fremer fave).
John Atkinson  |  Jan 16, 2013  |  3 comments
The evening before the show officially opened, I snuck into the Nola room at the Venetian. There I found the Long Island company's new Concert Grand Reference speakers ($197,000/pair), driven by an Audio Research CD8 CD player, Reference 10 preamplifier, and Reference 75 amplifier, hooked up with Nordost Odin cabling. A Quantum QX4 provided the system conditioning.

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