Robert Deutsch

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Robert Deutsch  |  Jan 19, 2012  |  2 comments
As well as providing a list of equipment in the demo system, Sonist’s Randy Bankert offered visitors a choice of libation.
Robert Deutsch  |  Apr 21, 2016  |  13 comments
I first encountered the work of Dave Wilson in the late 1970s. He was then a recording engineer responsible for some great-sounding records, including pianist Mark P. Wetch's Ragtime Razzmatazz (LP, Wilson Audio W-808), which quickly became one of my favorite system-demo records.

Then Wilson turned his attention to designing loudspeakers. His first model was the Wilson Audio Modular Monitor, reviewed for Stereophile by its then-publisher, Larry Archibald, in August 1983, who described it as "the most enjoyable speaker system I've listened to, and significantly valuable as a diagnostic tool." At $35,000/pair ($83,577 in today's dollars), the WAMM may have been the most expensive speaker then on the market.

Robert Deutsch  |  Apr 04, 2008  |  1 comments
One of the things I look forward to at these shows is a visit to the Wilson Audio room, and the chance to listen to master recordings made by Peter McGrath. The system at this year's FSI, in the room sponsored by dealer Coup de Foudre, featured the WATT Puppy 8s and Watchdog subs, VTL TL-6.5 preamp and MB-450 amps, with Nordost interconnects and Transparent speaker cables. (I guess they didn't want to be accused of favoritism when it came to cable choice.) As usual, the sound was clean and dynamic, with a deep soundstage, and voices sounding very natural. Peter played a recording he had made of Renee Fleming singing Richard Strauss's Four Last Songs heartbreakingly beautiful. Luke Manley (VTL, left) and Peter McGrath (Wilson, right) are looking appropriately pleased.
Robert Deutsch  |  Mar 31, 2014  |  0 comments
The revision of the Sasha to Mark II status involves a number of improvements, the cumulative effect of which, according to Peter McGrath, is quite significant. The Sasha II has the same midrange and woofer as the original Sasha, but the tweeter is all new—a convex rather than a concave dome as used previously. The tweeter and midrange baffle materials are different from those in the original Sasha, and the effect is a 34% reduction in resonant modes. The mechanism allowing the mid/tweeter module to be tilted, to "focus" the sound, has been revised so that the focusing can be more precise.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
Wisdom's planar-magnetic drivers are used in some very expensive speakers, and they had a pair of their LS4 floor-to-ceiling wall-mounts at CES, which sounded superb, easily one of the best at the show. (It was in the "if you have to ask" price category.) Of more interest to me was the new Insight series of in-wall speakers, which use the same technology as Wisdom's more cost-no-object offerings. The drive units start at $1250 each (P2i) and go up to $5000 (L8i). That's more my speed!
Robert Deutsch  |  Apr 02, 2014  |  0 comments
I think of Woo Audio as a manufacturer of fairly modestly-priced tube headphone amplifiers, so I was surprised to see in the Woo Audio exhibit something that was clearly more upscale. The WA5 is described as an "SET class-A transformer-coupled speaker and headphone amp." It's available as a base model at $3400, but the version with all upgrades (special tubes, etc.) brings the price up to $6400. The power output is 8Wpc, so your speakers had better have high sensitivity.
Robert Deutsch  |  Jan 08, 2008  |  0 comments
The Sony booth had a lot of interesting products on display, but hardly anything specifically dealing with audio. Last year, the only product I found I could find in the Sony booth that I could mention in my CES blog was a pair of headphones. This year, the product that I spotted that I thought would be interesting to Stereophile readers was "a pair of headphones!"
Robert Deutsch  |  Apr 04, 2009  |  4 comments
"Oui, Monsieur! You get a copy of Stereophile magazine with every admission to the show! It's an unbelievable deal, n'est ce pas?"
Robert Deutsch  |  Jan 10, 2008  |  4 comments
Here's a look at the inside of Ayre's KX-R preamp. "Wow!" exclaimed John Atkinson.
Robert Deutsch  |  Jun 04, 1996  |  0 comments
The auteur theory of the cinema, first described in the 1950s by François Truffaut, states that a great movie represents the artistic vision of one person, usually the director. Moviemaking may involve collaboration, but it cannot be done successfully by a committee. There has to be a single individual in charge, one whose sensitivity and world view is reflected in the movie. In the same sense that the author of a novel is telling a story through the medium of print, the director of a movie is telling a story through the medium of film.

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