Robert Deutsch

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Robert Deutsch  |  Jun 04, 2006  |  1 comments
WLM stands for Wiener Lautsprecher Manufaktur, and their product literature states that the company’s ambition is "to keep the Viennese heritage of music alive." While this might appear to give short shrift to institutions like the Vienna Philharmonic and the Vienna State Opera, the system featuring WLM Lyra speakers, Audio Aero SACD player and electronics sounded was exceedingly musical in its presentation.
Robert Deutsch  |  Oct 02, 2011  |  0 comments
"Have you heard the Woo headphone amps?" Todd Garfinkle of M•A Recordings pulled me over. I told him that I hadn't—but then I have not kept up with the market in headphone amps. "Have a listen." So I did, over Sennheiser HD800 headphones. The M•A Recordings Seeing Unknown Colors (MO 15A) sounded great through the Woo Audio WA6 ($650), without the touch of extra brightness that these 'phones are prone to.
Robert Deutsch  |  Jan 18, 2012  |  0 comments
Zu Audio speakers always look like fun, and sound like it, too. This was confirmed in a brief visit to their room at T.H.E. Show, the demo system featuring the latest Definition Mk.IV ($12,500/pair).
Robert Deutsch  |  Oct 02, 2011  |  0 comments
I know that Zu is a manufacturer of loudspeakers, but what does "Omen Def" mean. I have no idea, but a pair of these speakers was producing a lively sound at TAVES. At $3400/pair ($2900/pair show special), the price seemed eminently reasonable. They were playing vinyl, courtesy of a KLM 15 turntable and Denon 103 Grade 2 (yes, it's still being made) cartridge.
Robert Deutsch  |  Apr 13, 2007  |  0 comments
In the same room as the large KEF system, there was a nifty mini-system for iPod users. The heart of the system is the new Fatman iTube iPod tube hybrid integrated amp ($649, including special stand for an iPod, and a second set of inputs for a CD player). Although rated at only 13Wpc, it had no trouble driving a pair of KEF IQ1s ($350). It's pictured here with Jay Rein of Bluebird Music, the North American importer.
Robert Deutsch  |  Mar 28, 2010  |  1 comments
"Oh ho they're playing my song
Oh yeah they're playing my song
And when they're playing my song
Everybody's got to
Sh Sh Sh"
Robert Deutsch  |  Jan 11, 2015  |  4 comments
Thiel is back! Following a period of reorganization necessitated by the death of Jim Thiel, the "new Thiel," while varying in specifics, promises to respect Jim Thiel's sonic ideals while developing speakers for both two channel and multichannel.
Robert Deutsch  |  Jan 11, 2011  |  0 comments
The audiophile community was greatly shocked by the death, in September, 2009, of speaker designer Jim Thiel. My acquaintance with him was restricted to brief chats at shows, but he has always impressed me as a modest, gentle man, with a singular devotion to the pursuit of making the most accurate and musically pleasing speakers. Somehow, I thought he would always be around.

The Thiel/Bryston room had a system featuring the Thiel SCS4T ($3690/pair) speakers and a pair of new prototype Thiel USS subwoofers (price and delivery date TBD), partnered with Bryston electronics and digital source. The sound had that famed Thiel clarity, and an astonishing sense of depth on the well-known Misa Criolla recording. The SCS4T is the last speaker that Jim Thiel had a hand in designing: a fitting tribute to one of the greats of the world of audio.

Robert Deutsch  |  Jan 20, 2012  |  0 comments
My experience with the Thiel CS1.7 at CES is a story in three parts. Part I: Maybe. On the first day that I was at CES, which was the day before the Press Day, I visited the Thiel room while they were still setting up. I saw a prototype of the CS1.7, and asked if they were going to do a demo of these speakers. "We haven't decided yet. We're not sure if the crossover is finalized. But if the speaker sounds as good here as it did at the factory, we'll demonstrate it." Fair enough. I took some pictures and promised to return.
Robert Deutsch  |  Jan 30, 2012  |  First Published: Dec 01, 1991  |  0 comments
The Threshold FET nine/e ($2595) is the junior sibling of the FET ten/e, a solid-state preamp that has earned a rave review in March 1991 from noted tubeophile Dick Olsher (Vol.14 No.3), itself a development of the FET ten that J. Gordon Holt reviewed in September 1987 (Vol.10 No.6). Would my ears, accustomed as they are to the pitter-patter of electrons traveling through a vacuum, have a similarly positive response to the FET nine/e?

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