AXPONA 2024

If buying a hi-fi product from an internet retailer is like an arranged marriage, a hi-fi show is like speed dating. Not everyone, I realize, approaches hi-fi shows (or speed dating, for that matter) the same way, and anyway, the analogy between hi-fi and dating is far from perfect. Speed dating is how this year's AXPONA, America's biggest hi-fi show, held at the Renaissance Schaumburg Hotel & Convention Center (above) near Chicago in April, often felt to me as I moved from room to room. Every new system I heard had the potential to become a long-term relationship. Could I live with this one forever?

These days, there's a hi-fi show taking place somewhere on the planet pretty much every weekend, but for me, spring is show season. First, in April, comes AXPONA, which is held near Chicago. AXPONA is the largest North American high-end audio show, making it pretty much impossible for one person to see everything during the three-day event. Even with my focus on record-playing gear, I found myself skipping some rooms, telling myself that I could catch them a month later at High End Munich. Munich is even bigger than AXPONA, so we'll have to see how that plays out.

With that in mind, here are a few things that caught my eye at AXPONA 2024.

In the room opposite its smaller system, Playback Distribution presented Amphion Krypton3x White floorstanding speakers ($24,000/pair) driven by Esoteric’s F-12 class-A integrated amplifier ($18,000) and N-01XD-SE network streamer ($22,000).

What a nice little system. The LP version of Paul Simon’s “Something So Right” sounded exactly that on TSO’s system, with an exceptionally smooth midrange and lovely bloom to the sound.

What a perfect way to say goodbye AXPONA 2024. In a simple system consisting of Zellaton Emotion Evo speakers ($44,750/pair), LTA Ultralinear amplification ($7000), and a Grimm Audio MU2 ($17,500) serving as preamp and streaming DAC with a Roon core and analog volume control, we began with a 16/44.1 mastering of Janis Ian’s “Guess You Had to Be There.” Given my age, I expect I was.

When everything arrives intact and Jeffrey Catalano has the time to create a set-up as stunning visually as it was aurally, High Water Sound’s systems invariably earn accolades as a Best of Show. This one certainly won my vote, as well as my applause and heart.

I counted more than 40 audio products in the MoFi Distribution Schaumburg B ballroom. How to cover such a cornucopia? Making my job easier was that only eight of them were hooked up. The others were there to be oohed and ahed over, perhaps prodded and poked, but they’d (re)produce no music at the show.