Spin Doctor

Technics introduced the world's first direct-drive turntable, the SP-10 (above), in 1970. It was aimed squarely at professional facilities like radio stations and not at deejays for club use. The SP-10 was a "motor unit"—just a spinning platter with no plinth or tonearm, which the user was expected to source elsewhere.

After a decade of holding the annual High End Society show in Munich, Germany, this year the society moved to a new city and country. The show decamped to Vienna, Austria. There was no shortage of new phono-related debuts at the show. Here are some that caught my eye.

In 1936, the great blues pioneer Robert Johnson recorded his song "Cross Road Blues," which many interpret as his telling the story of how he went to a crossroads and fell to his knees to make a deal with the devil, selling his soul in exchange for musical genius.

A lot of us are vulnerable to marketing and hype, especially when we are young and impressionable. As a young kid, I was convinced that Sea Monkeys for a dollar from the back of a comic book would bring me a bowlful of happiness, until my Uncle Jim convinced me that not all was what it seemed.

I get nervous when I hear that an audio company I like is suddenly under new ownership. Are the new owners planning to carry forward the legacy of the company's founders, or will they try to move things in a different direction?

When people ask me what I do for a living, I reply that I'm a turntable setter upper. That seems to me like it should be descriptive enough, but it typically results in follow-up questions that have me explaining a whole audiophile subculture that few nonaudiophiles even realize exists.

I own a lot of records. Way too many if we're being honest. It's hard for me to come up with an accurate count, and I'm not even remotely organized enough to have a formal inventory, but if I had to make a guesstimate based on linear feet I figure I must have around 10,000.

I was heading back home to New York in my old Mercedes diesel on a Sunday evening, having just attended the annual Capital Audiofest near Washington, DC. Riding shotgun was fellow Stereophile scribbler Ken Micallef, and as we puttered along the straight, featureless lower half of the New Jersey Turnpike, we started to reminisce about our audio show experiences.

Renowned British turntable manufacturer Rega once defined a turntable as a vibration-measuring machine; that definition became the title of a coffee table book tracing the company's history and design philosophy.

While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from wind-up clockwork to electric motors, there have basically been three ways to spin a turntable platter...