SSI 2014

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Robert Deutsch  |  Mar 29, 2014  |  1 comments
Friday was Day One of a three-day show, but I'd already picked my best sound—which I'm quite certain will not be exceeded by listening to any collection of electronic/mechanical contrivances. It was provided by soprano Sophie De Cruz, tenor Eric Thériault, accompanied by Dominique Boulianne on the piano. Standing near the entrance to the bar/restaurant at the Hilton Bonaventure, De Cruz and Thériault, sang arias and duets from La Traviata, La Bohème, Tosca, and other pieces of the Italian and French operatic repertoire.
Art Dudley  |  Mar 28, 2014  |  0 comments
I’ve reported from Salon Son et Image almost every year since joining Stereophile in 2003, and as much as I enjoy the show itself, my favorite part remains the evening before the opening day. That’s when, in accordance with an informal tradition, members of the industry and the press gather together at the Hilton Bonaventure’s hotel bar—which also happens to serve the best food of any hotel bar in my experience—to shake the dust of the town from our boots, as it were. Pictured here, from left to right, are Peter McGrath (Wilson Audio), Mike Manousselis (Dynaudio), Lionel Goodfield (Simaudio), Keith Pray (publisher, Stereophile), Philip O’Hanlon (On a Higher Note), and Costa Koulisakis (Simaudio).
Robert Deutsch  |  Mar 28, 2014  |  1 comments
It's Friday, March 28, about 11 am. I'm on the Toronto-to-Montreal train, checking the Stereophile website. Art Dudley has a SSI 2014 show report posting up already! A travelogue is a good idea; I'll try to follow Art's lead. Alas, the scenery is not the most photogenic, and shooting from a moving train has its challenges. For me, travelling by train has an association with Hitchcock: North by Northwest and The Lady Vanishes. I look at my fellow passengers; none of them bears a resemblance to Cary Grant, Eva Marie Saint, or Margaret Lockwood. There seems to be nothing sinister going on.
Art Dudley  |  Mar 28, 2014  |  6 comments
Here’s the trick to show reporting: accomplish as much as possible ahead-of-time. Thus my decision, while riding the Amtrak train from Albany, NY to Montreal for this year’s Salon Son et Image, to write about the journey itself, and to illustrate my post with a photo of something I’d seen along the way.
Jason Victor Serinus  |  Mar 24, 2014  |  2 comments
Plus ça change, plus c'est la même chose. Such is the story of the Montreal Audio Show aka Salon Son et Image (SSI), which takes place this coming weekend, March 28–30. The Chester Group may be sponsoring the show for the first time, and longtime show organizer Michel Plante may have ceded the reins to his partner/wife, Sarah Tremblay, but both the location (the Hilton Bonaventure Hotel) and the show structure are pretty much the same. Tremblay expects about 80 exhibitors—the same as last year—holding forth in 80–100 rooms.
Art Dudley  |  Mar 31, 2014  |  First Published: Dec 31, 1969  |  1 comments
In one of the rooms sponsored by Audio Pathways, the always-impressive yet consistently difficult-to-photograph-in-the-dark Raidho Acoustics C1.1 loudspeakers ($CAD18,000/pair) sounded excellent with a slightly-less-photo-phobic Jeff Rowland Continuum S2 integrated amp ($10,500), set up with Transparent cabling.
Art Dudley  |  Mar 30, 2014  |  First Published: Dec 31, 1969  |  0 comments
Seen in the same room as the Hegel-Triangle system was a frustratingly silent display: one of a pair of brand-new, full-range electrostatic loudspeakers from the Dutch company Essence. Apparently its mate suffered a bit of rough handling, and the people of VMAX decided, commendably, not to trust its high-voltage circuitry before giving the speaker a thorough check-up. In the meantime, keep your eyes peeled for this $4000/pair beauty, the stators of which are created from acrylic using a 3D printer.

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