T.H.E. Show Newport 2013

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Jason Victor Serinus  |  Jun 06, 2013  |  0 comments
Photo: John Atkinson

The Legacy Audio Aeris Premium ($18,850/pair, outboard), with dual 500W ICEpower amps for the bass section and 24-bit DSP, certainly offers a lot for the money, but in Monarch Ballroom III, the speaker also sounded boomy and rather flat. The latter condition, I soon discovered, was easily remedied. When I played Reference Recordings’ CD of two ballet scores by Délibes, the image was pulling so far to the left that it was hard to believe that no one else had noticed the imbalance. Sleuthing revealed that someone or some dark force had messed with the balance control. Once it was returned to center position, the soundstage from the Pioneer Elite CD player and Coda 15.5 amplifier ($10,000) grew in size, and the sound, while hardly transparent, far more inviting and filled with air. As for the boominess, hopefully more attention to set-up and associated electronics would do the trick.
Jason Victor Serinus  |  Jun 06, 2013  |  1 comments
There were two systems in Audio Summa’s room on the 10th floor of the Hilton, but I concentrated on the one with the brand new Kuzma 4-point NSE tonearm with Crystal Cable Silver/Gold ($6375) and Stabl M turntable ($18,500). Paired with Silverline Audio’s Sonatina Mk.IV loudspeaker ($5995/pair); Conrad-Johnson Classic 60SE stereo tube amp ($5000), ET-5 Triode tube preamp ($9500), and TEA2MAX triode tube phonostage ($6500); no longer manufactured BEL 101 Mk.IV stereo amps; Furutech Flux cables (Lineflux, Speakerflux, and Powerflux power cords); and HRT Music Streamer HD, MicroStreamer, and iStreamer, I was treated to a Classic Records reissue of the divine Sarah Vaughan’s 1964 Roulette platter, The Lonely Hours. The sound was lovely, but the bass seemed disconnected from the higher octaves.
Jason Victor Serinus  |  Jun 06, 2013  |  0 comments
No one needs me to detail the strengths of McIntosh equipment, not the least of which is its consistently smooth midrange. But in a system that included the McIntosh C2500 tube preamp ($6500), MEN220 Room Perfect room correction ($4500), MC452 power amp ($8500), MPC1500 power controller ($4500), MCD1100 CD Player ($10,000), and XR100 speakers ($10,000), the tightness and impact of the bass was nothing short of startling. Call it the “Whoa! Factor.” Equally noteworthy was the very warm, large, and all-enveloping presentation.
Jason Victor Serinus  |  Jun 06, 2013  |  2 comments
When I poked my head into the Ayon ballroom on Friday, the first day of T.H.E. Show, the sound was too bright for my taste. A day later, listening to the Tape Project’s Master Tape of Nojima Plays Liszt, I found the sound much too subdued and flat. Perhaps, as is often the case at shows, by the end of the show the system arrived at a place of balance.
Jason Victor Serinus  |  Jun 04, 2013  |  4 comments
You thought ribbon cutting was simple? Not when the esteemed ribbon cutters—from left to right, David Robinson (Positive Feedback On-Line, in white shirt), Michael Fremer (Stereophile and AnalogPlanet.com), Robert Harley (The Absolute Sound), and John Atkinson (Stereophile)—were faced with 1001 photographers, a ribbon that looked as though it was manufactured of industrial-strength mylar, and a giant golden scissors that couldn’t cut its way out of a paper bag. No wonder Bob Levi of the Los Angeles & Orange County Audiophile Society (far left) and show organizer Richard Beers look relieved when the ribbon finally snapped.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Having entered Larry Kay’s BSG room at RMAF 2012 just as he was in throes of packing, after having missed the Bay Area Audiophile Society’s demo of his BSG qøl Signal Completion Stage, I was relieved to finally be able to take a brief listen to the device (pictured on the second shelf, below the MacBook Pro). Although my time in the room was brief—Larry paused just long enough from a discussion to mug for the camera—I definitely heard a larger and more convincingly realistic qøl soundstage with the unit switched in. You can find John Atkinson’s February 2013 review here.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Last year, after my photo of him briefing a cadre of adoring acolytes appeared on this site, Richard Beers forbid me to ever publish pictures of him that were taken unawares. So this time, with his full knowledge and consent, the miracle man whose expertise and persistence makes T.H.E. Show(s) possible, has allowed me to reveal to the world what he looks like at 10:12AM, before his 25th cup of coffee.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Given that I’ve heard Audioquest’s price-busting DragonFly USB DAC ($249 and change) on other occasions, I only lingered long enough to hear a bit of Shelby Lynne’s “Just a Little Lovin” and a 24/96 file of a song by Mark Knopfler. The sound was lovely and smooth. The system, which also included Vandersteen Quatro Carbon loudspeakers ($12,500/pair), Audio Research VSi75 ($7500), AudioQuest Castle Rock speaker cable and Angel interconnect, Harmonic Resolution Systems rack and shelf, and Furman PL-8 C power conditioning, didn’t have the ultimate bass control or color, but, my God, the DragonFly can be had for under $250.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
I have grown increasingly fond of exhibits that seem like a welcome breath of fresh air. Hence I extend my thanks to Gene Rubin of Gene Rubin Audio and Walter Swanbon of Fidelis AV, whose system provided my first listen to the fine Stein Music Aventurin cartridge ($6495). Listening to the Quartet Italiano play Mozart, I was delighted by the very warm, civilized, and totally enjoyable sound of a system that also included the Palmer 2.5 turntable ($11,990), the Stein Music Harmonizer System, and LFD photo stage ($1895) and NCSE MKII hand-assembled amplifier ($7495), and Harbeth Monitor 30.1 loudspeakers (starting at $5990/pair).
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
You tell me why Steve Rochlin of EnjoytheMusic.com was fielding a cell-phone call during the first of T.H.E. Show’s two Ask The Editors panels. Pictured to his left, not necessarily in order of bemusement, are David Clark and David Robinson (Positive Feedback On-Line), Robert Harley and Neil Gader (The Absolute Sound), and John Atkinson (I’ll bet you know).
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
“Get ‘em while they’re hot,” was the operative term at the sizable Marketplace off the Hilton lobby, as early attendees snatched up what they could while they still could.
Jason Victor Serinus  |  Jun 04, 2013  |  2 comments
With MBL’s sonic excellence long established in these pages, I lingered in Jeremy Bryan’s room just long enough to confirm that the sound was as gratifying as usual. On a cut from the Reference Recordings’ classic of Rutter’s Requiem—happily not the “Pie Jésu” that everyone and their mother chooses—I was immediately seduced by the beautiful air and warmth of the Radialstrahler 111F loudspeaker ($42,000/pair) fed by MBL’s Corona line C31 CD player ($9200), C11 preamplifier ($8800), and C15 mono power amplifiers ($25,000/pair).
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
A trumpet fanfare? For the opening of the largest consumer audio show in North America, nothing less would suffice. As Bob Levi (right), President of the largest audio society in North America (or perhaps the entire galaxy), gave the cue, the ribbon could be cut and the music could pour forth. The trumpet player was William Artope Jr, whose band gave concerts later in the show.
Jason Victor Serinus  |  Jun 04, 2013  |  2 comments
It’s not just a sign that proclaims this turntable a work of art; to those heavy into industrial design, the Basis Work of Art with Super 9 tonearm ($179,000) is what it proclaims. I will leave a detailed assessment to Michael Fremer, but on preliminary listen, in a major industrial-strength system that included the Lyra Atlas phono cartridge ($9500); four Audio Research components, including the Ref 250 monoblock amplifiers ($26,000/pair) and Ref 10 phono preamp ($30,000); Vandersteen 7 loudspeakers ($48,000/pair); and AudioQuest WEL Signature interconnects and speaker cable ($124,000 total), the system’s extremely warm and mellow sound shone through a bit of shoutiness and boominess.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Racing in shortly before the show was to begin, Manley Labs’ one-and-only EveAnna Manley was liberally dispensing hugs and smiles in the lobby.

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