CES 2013

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Jason Victor Serinus  |  Jan 14, 2013  |  0 comments
Will the Deity ($5900/8 ft pair), DH Labs' new top-of-the-line speaker cable, deliver the heavenly sounds its name implies? Only those who listen will know for sure. Not yet listed on the Florida-based company's website, the US-made cable contains twelve 20-awg solid-core silver conductors, each in a tape-wrapped Teflon-foam dielectric. There are also two 14-awg silver coated OFHC copper conductors running down the center of the cable. Overall, the Deity is an impressively attractive and substantial 9-awg cable.
Larry Greenhill  |  Jan 14, 2013  |  3 comments
I ran into Dan D'Agostino, in the hallway of the Venetian. He was hurrying off to a meeting, but had a moment to mention that his amplifiers were being used in live exhibits in several rooms, including YG and Light Harmonic DaVinci, among others. I asked if there was anything new at the show, and he smiled and mentioned the new Momentum preamplifier. I found the D'Agostino room and his partner Petra, showed me the preamplifier, which was on passive display.
Jon Iverson  |  Jan 14, 2013  |  0 comments
The VEGA is another DAC employing a femto clock for extremely low jitter and retails for $3,500 (a low price point for the femto feature) . It handles PCM streams up to 32/384 as well as DSD, DXD and 2xDSD. The VEGA can also function as a digital preamp and includes a remote that can control the output level. Inputs include AES/EBU, 2xSPDIF, Toslink and "ActiveUSB". Analog outputs are both balanced and unbalanced and the front panel sports a very easy to read display.
Stephen Mejias  |  Jan 14, 2013  |  0 comments
Rega’s RP3 turntable, seen here in an awesome Union Jack finish, is Stereophile’s 2012 Analog Source of the Year—an especially wonderful honor for a product that sells for just $895. I love it.
Jason Victor Serinus  |  Jan 14, 2013  |  0 comments
Given that the folks at Pass Labs have never made a big deal about cabling, it's significant that they've given a major thumbs up to Silent Source Audio cables. Calling them "the best cables you've never heard," they use these hand-built-in-Texas cables to voice their products.
Jason Victor Serinus  |  Jan 14, 2013  |  0 comments
Photograph: Larry Greenhill

Not yet released is Ayre’s 175Wpc VX-5 amplifier (price TBD, in the $8000 "neighborhood"), which uses the same circuit as in the AX-5, but with a larger power supply and higher voltage rails. The VX-5 was demmed with Vivid G2Giya speakers and the K-5xeMP preamplifier that John Atkinson reviewed in June 2011.

Stephen Mejias  |  Jan 14, 2013  |  0 comments
As usual, Peachtree Audio put together one of my favorite systems of the show: iPad, AppleTV, Peachtree Decco65 D/A integrated amplifier, and a pair of Peachtree Design 4 bookshelf loudspeakers mated with a small REL subwoofer.

I looked at the system; listened to the fun, engaging sound; and thought to myself: Why doesn’t everyone own a system like this?

Jason Victor Serinus  |  Jan 14, 2013  |  0 comments
Among Cardas' new goodies at CES was the 3455R IEC plug ($49.95), with pins of solid ultra-pure copper with silver/rhodium plating, and the 3455R-US wall plug ($49.95), whose pins are made of the same material. Cardas is now substituting these for Furutech terminations on their power cables. National Sales Director Brian Von Bork reports that they're also re-launching the Cardas Ear Speaker 5813 ($425), aka ear buds with bloom.
Jason Victor Serinus  |  Jan 14, 2013  |  1 comments
Many, many moons ago, in the days when Stereophile was a small digest rather than a full-sized magazine and lively website, I owned an Aragon 4004 dual-monoblock amplifier. Oh how I wish I had never sold my 4004, with circuitry designed by Dan d'Agostino, and instead mated it with a front end, speakers, and cabling that could have revealed all that it had to offer.

You, thankfully, have an opportunity to find out just how good the circuitry is. The just-introduced Aragon 8008, a software-upgradable, 200Wpc dual monoblock amplifier ($4999) with dual, symmetrical power supply and ethernet-based control and status monitoring, is now produced by Indy Audio Labs, who bought the brand from Klipsch in 2009.

Jon Iverson  |  Jan 14, 2013  |  0 comments
Arriving in the US next month, the new Cambridge follow-up to the 751BD has a retail price of $1299. Arcam's Dan Poulton was quick to point out that though it has a similar feature set (most disc formats supported as well as streaming services), this is not just an Oppo in a Cambridge box.

Audio is upsampled to 24/192 using Cambridge's Adaptive Time Filtering (ATF) system and allows the user to set the digital filter from several options as with the company's DacMagic.

Jason Victor Serinus  |  Jan 14, 2013  |  2 comments
Vincent's new SV-800 integrated amplifier ($4999.95) outputs 100Wpc into 8 ohms, the first 50 of which are class-A. A tube hybrid design, it uses four 12AX7s, four 12AV7s, and six output transistors. Most of its inputs are RCA, but there is one pair of XLRs.
Jon Iverson  |  Jan 14, 2013  |  3 comments
One of my favorite products to review over the last couple years was the Cantata Music Center from Resolution Audio. What's not to like: solid engineering, forward thinking and gorgeous styling.

The company claims the product is designed to be future proofed for at least the next 10 years, and is now offering a new $500 24/192 hardware upgrade (software upgrades are free) to existing owners that is also featured in current versions. The Cantata Music Center is now also UpNP capable for FLAC and AIFF file decoding.

Jon Iverson  |  Jan 14, 2013  |  0 comments
In some rooms, spotting the new product or two can be tough without asking or taking time to carefully look at everything on display. Not the Oracle room. The BRIGHT yellow Paris CD 250 was screaming "look at me" the moment I crossed the threshold. Once my eyes had settled I could see Oracle had also brought the CD player and DAC in a few more color choices: black, white and red.

Using the same chassis design and color options, the CD player or DAC each run $3,500. The DAC features 24/192 SPDIF, Toslink and USB inputs as well as volume control.

Jason Victor Serinus  |  Jan 14, 2013  |  9 comments
Magico's MRack ($30,000–$50,000, depending upon configuration) absorbs and dissipates energy with the same constrained-layer damping mechanism employed in the Magico QPod equipment supports that Michael Fremer raved about in his June 2012 "Analog Corner" column, and that I use under my transport and DAC. Constructed of 500 lbs of aluminum, copper, and damping compound, the MRack is a byproduct of the R&D Magico put it into their Q series of loudspeakers. "Think of the MRack as a giant QPod," says Magico's Alon Wolf.
Larry Greenhill  |  Jan 14, 2013  |  0 comments
I stumbled into the Naim Audio Exhibit and was faced with a wall of amplifiers and electronics. Chris Koster, of the Sound Organisation, Naim's US importer, guided me through the Naim amplification that was being used to drive the tri-amplified loudspeakers in the room. Starting from the left, the rack held three NAP-500 solid state amplifiers ($28,000 each).Sitting just above the three amplifier chassis at the extreme left was a Naim Snaxxo 362 ($3500) active crossover; its Naim Supercap power supply, sitting at the top of the center column, powered the Snaxxo. Each of the amplifier's individual NAP-500 PS power supplies occupied the three lower shelves at the center of the rack. The two top center shelves held the power supplies for the NAC552 preamplifier ($28,000) and the NDS Media Streamer ($11,000), whose control chassis could be found at the extreme right of the rack.