CES 2013

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John Atkinson  |  Jan 16, 2013  |  0 comments
Manhattan retailer/distributor Audio Arts was showing the Zellaton Grand loudspeaker ($39,750/pair). This combines a tweeter and two 7" mid-woofers using aluminum foil-faced rigid-foam diaphragms first developed in 1935 by Emil Podszus—which I had first seen and heard in the Pawel Ensemble minimonitors from 20 years ago—with a downward-firing woofer in a cabinet that is open to the rear.
John Atkinson  |  Jan 16, 2013  |  0 comments
My photograph doesn't do justice to the lustrous blue finish or the immaculate interior construction, but Vandersteen's new M7-HPA power amplifier looks as gorgeous as the Vandersteen Model Seven and 5A loudspeakers with which it is intended to be used. As the HPA in its name implies, the M7-HPA provides a high-pass filtered output (>100Hz) to the upper-frequency drive-units of these two speakers, which have integral powered subwoofers. The amplifier uses a tube input stage and a two single-ended solid-state output amplifier stages operating in what Richard Vandersteen calls "push-push," all mounted with a sprung suspension and kept cool with a liquid cooling system. Price is projected to be between $30,000 and $40,000/pair.
Jon Iverson  |  Jan 16, 2013  |  1 comments
Priced at $3,250 and available now, the compact and sturdy DAC 8 features 4 coax SPDIF inputs, BNC, AES/EBU and USB all capable of handling 24/192 data. Both balanced and unbalanced outputs are available along with a small remote that can control input selection and volume.

T+A employs aggressive jitter management, multiple filter options, and runs eight 32 bit Burr Brown converters. All analog stages are fully discrete and I'm going to guess it sounds pretty good too.

Jon Iverson  |  Jan 16, 2013  |  0 comments
One of the highlights of CES this year was a chance to hang out with T+A's CEO Siegfried Amft and Manager of R&D Lothar Wiemann, only to discover they were both huge prog rock fans. No wonder I like their stuff.

And speaking of progress, T+A pulled out all the stops for their impressive new network and CD player, the MP 3000 HV, companion to the PA 3000 HV integrated amp. Retailing for $12,500 (though the first two months production run is already sold out) the MP 3000 HV includes the FD 100 bi-directional remote (with color screen), a CD transport, UPnP and DLNA compatible streaming client, internet radio, FM Tuner, and DAC.

There are plenty of digital inputs (8), with SPDIF Coax running to 24/192 and USB at 32/192, and several user-selectable upsampling and filter options. Beautifully built as well.

Jon Iverson  |  Jan 16, 2013  |  0 comments
In the main system, the M6 DAC was holding court. Also Bluetooth capable, the M6 DAC runs USB, SPDIF and AES/EBU up to 24/192. All inputs are re-clocked and upsampled to 24/192 for processing and filtering. The filter has two user selectable settings and there are both balanced and unbalanced outputs. Retail price is $3,000 and the M6 DAC is available now.

This time John Quick decided we'd listen to an HD sample and cued up War's "The World is a Ghetto" from HDTracks.com to stunning effect.

Jon Iverson  |  Jan 16, 2013  |  3 comments
Musical Fidelity had a large multi-room suite atop the Mirage, with multiple systems set up and optimized. One system was set up around the new M1SDAC which retails for $1,499 and should be here by April.

Inputs include all the usual digital suspects including USB that can handle 24/192. Since the M1SDAC also functions as a preamp, it has analog inputs which are sampled at 24/96. Outputs included unbalanced analog and digital.

But what caught my ear was the Bluetooth capability that allows you to wirelessly connect your Bluetooth device if it has audio files on it. Once received wirelessly, the Bluetooth stream is upsampled to 24/192 by the M1SDAC. Tempo Marketing's John Quick asked me to pull out my iPhone to see if there was some music I'd like to hear. Sure enough I had an uncompressed CD rip of Roxy Music's first album and within seconds it was playing over the system, tracks being controlled from my seat. Maybe not CD quality, but it sounded pretty good with a bit of crunch on the top end.

Jon Iverson  |  Jan 16, 2013  |  1 comments
Also in Chord's booth, the new DSX1000 retails for $13,000, is available now, and can handle a variety of network sources including ethernet, SPDIF and USB. The DSX1000 also uses an FPGA to handle all of the digital decoding and clocking.

Line level and volume controlled outputs are included along with a headphone jack and color display on the front for navigating sources. An iPad app will be available in a couple months.

Jon Iverson  |  Jan 16, 2013  |  2 comments
Small and definitely cute, the new Chord DAC has SPDIF and USB inputs and unbalanced analog outputs. Priced at $1,795 and available now, the QuteHD also handles DSD files and can process streams up to 384kHz. Michael Lavorgna gets into the details in his recent review, but worth noting is that it features a field-programmable gate array (FPGA) to handle the digital to analog conversion process and to automate input selection.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
John DeVore introduced a new speaker at CES that is said to take "fidelity and flexibility to a new level." The Gibbon X ($11,000/pair), the first three-way speaker in the Gibbon series, has a new midrange driver that incorporates DeVore's Adaptive Surround, a new tweeter in its own isolated enclosure, dual 7" woofers that are claimed to move more air than some 10" drivers, and a hand-built cabinet made from solid bamboo.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
Larry Greenhill has reported on Revel's Ultima2 Salon, which, at $22,000/pair, is well beyond my CES coverage limit of $15,000,. But I can tell you about Revel's more affordably-priced offerings. Speakers in the new Performa3 series started shipping in December, the price range starting at $1500/pair (M105 bookshelf-type) to the top-of-the-line $5000/pair F208 floorstanders. The speakers feature new transducer designs, next-generation tweeter waveguides, stylish enclosures, and low-distortion ports. The design process of Revel speakers utilizes position-independent double-blind listening tests.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
"What's different about this speaker?" was the question I posed the Usher rep when he told me that they had a new speaker, the Mini-X ($3500/pair), which supersedes the well-regarded Be-718.
Robert Deutsch  |  Jan 15, 2013  |  0 comments
Wisdom's planar-magnetic drivers are used in some very expensive speakers, and they had a pair of their LS4 floor-to-ceiling wall-mounts at CES, which sounded superb, easily one of the best at the show. (It was in the "if you have to ask" price category.) Of more interest to me was the new Insight series of in-wall speakers, which use the same technology as Wisdom's more cost-no-object offerings. The drive units start at $1250 each (P2i) and go up to $5000 (L8i). That's more my speed!
Robert Deutsch  |  Jan 15, 2013  |  1 comments
Sarah Tremblay and Caroline St-Louis, representatives of the Montreal Salon Son & Image (SSI) show were at CES, promoting their upcoming show in March. Visitors to the Montreal show may be expecting to see Sarah and Caroline wearing blue wigs, but they've apparently abandoned that look. They're now dressed up as hockey players—the Montreal Canadiens, of course. I'll be reporting on SSI 2013, along with, hopefully, Art Dudley. There's a chance that John Atkinson may attend as well. Boys and girls, if you all write to him about how much you would like him to attend SSI, perhaps he can be persuaded.
Stephen Mejias  |  Jan 15, 2013  |  0 comments
Pro-Ject’s Media Box S ($359) is “basically a mini-computer,” Sumiko’s Norbert Schmied told me. It accepts a USB thumb drive (as shown), hard drive, or SD card containing MP3, WMA, AAC, or variable-bit-rate files up to 384kbps compression. It uses a 24-bit/96kHz upsampling D/A converter, and album metadata can be displayed and navigated via the front-panel display. Here we see it partnered with Pro-Ject’s Head Box S ($159) and the extremely lightweight and comfortable Hear It Two headphones ($79).

In his entry on Pro-Ject’s impressive DAC Box DS, Jon Iverson noted that the Sumiko suite showed an entire wall of the company’s cute but powerful Box components. Schmied gave me a detailed tour of the offerings. I’ve got three pages of notes on these nearly bite-sized components and every scribble is interesting, but here are the main points:

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