NY Audio & AV 2012

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Stephen Mejias  |  Apr 13, 2012  |  First Published: Apr 16, 2012  |  0 comments
The lines to the registration booth stretched way down the main corridor of the 18th floor at the majestic Waldorf=Astoria. We were all very happily surprised to see so many anxious attendees arrive on a beautiful Friday afternoon in NYC. As people received their badges, they picked up complimentary copies of their favorite magazines, including the latest issue of Stereophile.
Art Dudley  |  Apr 16, 2012  |  0 comments
Driving the distinctive Scaena "iso-linear array" loudspeakers in the Audio Doctor suite was a pair of Conrad-Johnson's limited-edition ART amplifiers ($37,000/pair): one of 125 pairs in existence. These ARTs used KT-120 output tubes (the amps are rated at 275Wpc when run with 6550 pentodes) and were operated without their strikingly pretty tube cages.
John Atkinson  |  Apr 16, 2012  |  0 comments
The YG Anat III Professional Signature speakers ($119,000/pair) in the GTT room had an attractive titanium finish. I thought a 45rpm test pressing of the Doors' "Riders on the Storm" sounding astonishing, especially John Densmore's drums, which, although recorded in mono in the right channel, had a combination of weight, realistic highs, and authority that I hadn't heard before from this over-familiar track.
Art Dudley  |  Apr 16, 2012  |  0 comments
The combination of Wilson Audio loudspeakers, VTL amplifiers, and Peter McGrath's digital recordings—and setup skills—has provided some of the finest music I've heard at literally every show I've attended in the past several years, and this show was no exception. The Wilson Sasha W/Ps ($27,900/pair) were installed along the long wall of one of Innovative's two rooms at the Waldorf=Astoria, and were driven by the VTL MB450 Series III amplifiers ($18,000/pair) and VTL 7.5 Series III preamp ($20,000), all hooked up with Transparent cables. The sound was colorful, dynamic, and tactile—string bounce was especially fine—on all selections played, especially a high-resolution excerpt from Carmen that McGrath recorded in Miami not long ago, converted to analog with a dCS Puccini DAC ($18,000).
John Atkinson  |  Apr 16, 2012  |  3 comments
The corner placement required by Audio Note speakers always raises my eyebrows—there was even a mirror next to one of the speakers!—but the sound of Ivan Moravec performing Brahms late piano works, the Op.118 Intermezzi, on a secondhand Turnabout LP, was extraordinarily engaging on the Audio Note AN-E Lexus Signature loudspeakers. This was the last room I visited Saturday night and I didn’t feel the need to visit any more rooms for more music.
Art Dudley  |  Apr 16, 2012  |  1 comments
A Legacy Audio Whisper XD loudspeaker ($20,500–$22,500/pair, depending on finish) stands next to a life-size picture of a Legacy Audio Whisper XD loudspeaker. One of these has eight drivers, dual 500-watt ICE subwoofer amplifiers, and a 24-bit room-correction processor. The other does not.
Art Dudley  |  Apr 16, 2012  |  0 comments
German amplifier specialists AVM have been in business since 1986, but until now have served only the European market. The company's new owner, Udo Besser, who was with Burmester for many years, has decided to broaden their target and is now exporting their high-end electronics line to the US. Of the products on display at the New York Audio and AV show, I was especially intrigued by the AVM C8: an all-in one package that combines a 150Wpc stereo integrated amp with a phono stage, FM tuner, USB and SPDIF D/A converter, and a (hermetically sealed!) CD drive. The styling is elegant and spare, and the projected price is $4200.
Stephen Mejias  |  Apr 14, 2012  |  First Published: Apr 16, 2012  |  0 comments
Art's already mentioned the glorious sound of the Robyatt Audio room, so with this picture I tried to capture a bit of the system's overall look and feel. This was, to my eyes, the sexiest system of the show. The only thing missing was the pinup girl. The sound was just as easy on the ears: When "Sing, Sing, Sing" came to the end, everyone in the room clapped and cheered.
Art Dudley  |  Apr 16, 2012  |  1 comments
There were no new Abbingdon Music Research products at this show, but distributor Darren Censullo was in attendance at the Audio Doctor suite, where he spoke with excitement about a forthcoming AMR product called the iDac: a USB-friendly converter scheduled to sell for just $350.
John Atkinson  |  Apr 16, 2012  |  0 comments
While Art Dudley was photographing the new VPI Classic 4 turntable, Stereophile illustrator Jeff Wong (right) cornered Michael Fremer and asked him to autograph Michael's mid-1970s stand-up comedy album, I Can Take a Joke.
Art Dudley  |  Apr 16, 2012  |  0 comments
After too long an absence, Harry Weisfeld brought VPI turntables and tonearms to a show in New York, alongside his son and business-partner-to-be Matthew Weisfeld. Here we see Harry with the stunning VPI Classic 4, sized for outsized or even multiple tonearms ($10,000).
Art Dudley  |  Apr 16, 2012  |  2 comments
In the Audio Note UK room, managing director Peter Qvortrup demonstrated the company’s new Jinro Shochu power amplifier ($32,250). This is essentially a Jinro integrated amp (see Stereophile’s April 2011 issue) without the volume control and with a single pair of true balanced inputs. During my visit the combination of Jinro Shochu and Audio Note AN-E Lexus Signature loudspeakers ($19,000/pair) sounded natural, engaging, and just plain musical on selections by those two great exponents of British music, Vaughan Williams and Led Zeppelin.
Art Dudley  |  Apr 15, 2012  |  2 comments
The TAD CR1 (for Compact Reference) loudspeaker ($37,000/pair) was demonstrated with Viola amplification and a digital front end comprising the Weiss Man301 server ($9000) and Weiss Medea+ D-to-A converter ($19,000). The CR1, which has been on the market for a little over three years, has a rated sensitivity of 86dB and uses the same type of CST coincident driver as featured in the company's flagship Reference One loudspeaker. The TAD had satisfying bass extension for such a relatively small enclosure, but the system was being played way too loud for my comfort, so I can't offer a more nuanced appraisal. JA, however, was very impressed when he reviewed the CR1 last January.
Art Dudley  |  Apr 15, 2012  |  1 comments
Furniture designer Robert Lighton used the New York Audio and AV show to debut his first audio product, the RL10 loudspeaker ($20,000/pair), offering a solid wood enclosure (even the rear-firing reflex port is turned from solid wood), 1” fabric-dome tweeter, 10” paper-cone woofer, and a sensitivity rating of 95dB. Selections from Lighton’s impressive collection of jazz LPs—one Roland Kirk number in particular—sounded tactile and convincing through his speakers and an 8Wpc Audio Note Meishu Silver Signature integrated amp with phono section ($18,850), Audio Note AN S8 phono transformer ($10,800), and Audio Note TT3.5 Reference three-motor turntable ($39,600), the latter using a Sogon-wired Audio Note tonearm ($13,156) and Yamamoto Y-03s cartridge ($1200).
Art Dudley  |  Apr 15, 2012  |  0 comments
Well Rounded Sound, a US company that specializes in high quality desktop loudspeakers, exhibited a number of eye-catching models, including their new Corgi ($799/pair), which is scheduled to begin production in July.