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Stereophile Staff  |  Dec 12, 1999  |  0 comments
Phase One of the Secure Digital Music Initiative (SDMI) will incorporate watermarking technology for DVD-Audio from Verance Corporation. The agreement was announced at a meeting of the SDMI in Hawaii early in December. Verance Corp. was formed recently by the merger of ARIS Technologies Corporation and Solana Technology Development Corp. ARIS's technology was announced a few months ago as the SDMI's choice for watermarking.
Jon Iverson  |  Dec 12, 1999  |  0 comments
Audiophiles have been hit hard lately, as DVD-Audio's release schedule has succumbed to piracy concerns and Sony has so far refused to allow digital outputs on SACD decks. (Only digital outs for CD playback are allowed.) You can listen, but don't touch. But at least there are still no such restrictions on CD players that would inhibit the use of their digital datastreams . . . for now.
Barry Willis  |  Dec 05, 1999  |  0 comments
Audiophiles eager to try DVD-Audio will have to wait just a bit longer. Matsushita Industrial Electric Co. and Japan Victor Company have decided to hold back their new DVD-A players, in the wake of the widely publicized decryption of the format's copy-protection scheme by a Norwegian computer hacker. The hacker published his workaround of the encryption on the Internet late in November.
Stereophile Staff  |  Dec 05, 1999  |  0 comments
Time does fly when you're having fun, and it's hard to believe that the Stereophile website is two years old—so it's time for a party and some presents!
Jon Iverson  |  Dec 05, 1999  |  0 comments
Last August, we reported that brick-and-mortar retailer Tweeter Home Entertainment Group had aligned itself with online retailer Cyberian Outpost to leverage each company's respective strengths, both on- and offline. The trend continues as, last week, brick-and-mortar retailer Harvey Electronics announced that it has reached an "agreement in principle" with CoolAudio.com (see previous story) to merge the two companies through an exchange of common stock.
Jon Iverson  |  Dec 05, 1999  |  0 comments
The quest for new speaker technologies has resulted in some novel approaches to the reproduction of sound, as witnessed by products announced in the last few years by NXT and 1 . . . Ltd. (See previous story.) Some of Stereophile's readers may also recall that, back in May 1996, American Technology Corp. shook things up in the audio world by announcing what the company described as its "breakthough" new technology, the much-debated HyperSonic Sound (HSS). This was followed up in February 1997, when ATC announced the introduction of its Stratified Field Technology SFT, which company literature touted as "a significant improvement over conventional loudspeakers."
Jon Iverson  |  Dec 05, 1999  |  0 comments
As reported last March, loudspeaker manufacturer Von Schweikert Research closed its doors after a disastrous flood hit the factory (see previous report). Many thought this was the end of the story, but last week, Dr. Edward Gonzaga, of the Gonzaga Investment Group, announced the formation of a new version of the company, to be named Von Schweikert Audio.
Stereophile Staff  |  Nov 28, 1999  |  0 comments
It is with regret that we announce to Stereophile's readers the closing of Mobile Fidelity Sound Lab, on November 19, 1999. Known to audiophiles since its inception in 1977, the company provided serious listeners with hundreds of remastered LPs, cassettes, and CDs.
Jon Iverson  |  Nov 28, 1999  |  0 comments
One of the challenging attributes of the new DVD-Audio format is the ability to release music in high-resolution multichannel (four or more) sound. For some this will be a thorny issue: Can previously released recordings be remixed to take advantage of the extra channels without sounding gimmicky? Should classical and/or live recordings use the surround channels for concert-hall ambience? How long will it be until consumers even care about setting up their systems to take advantage of more than two full-bandwidth channels?
Stereophile Staff  |  Nov 28, 1999  |  0 comments
Among the ingredients needed for a successful online consumer-electronics business, having well-known, sought-after brands may be the most important. Just in time for the holiday season, Hifi.com announced last week that it has become one of a "select group" authorized to sell Sony Electronics products over the Internet. This announcement comes on the heels of Celestion and Marantz joining the mail-order retailer (see previous story).
Barry Willis  |  Nov 28, 1999  |  0 comments
Old joke: "We lose money on every sale, but we make it up in volume." A similar concept seems to be at the heart of the free download phenomenon sweeping through the Internet music industry: give it away as a lo-rez MP3, and customers will come back to buy the CD.
Stereophile Staff  |  Nov 28, 1999  |  0 comments
In his third installment of "Fine Tunes," Jonathan Scull encourages readers to stick their heads in a corner. "Notice how strongly the bass loads up there, how exaggerated and out of control it sounds," he writes. With the help of Jeff Joseph, Scull also reveals a trick for dealing with square rooms.
Barry Willis  |  Nov 28, 1999  |  0 comments
The object of the audio game, as Stereophile founder J. Gordon Holt put it, is "to re-create original acoustic events as accurately as possible." That goal has driven engineers to extraordinary lengths, improving every link in the recording and playback chain. Most such improvements are incremental, but their cumulative effect is the sometimes astounding level of sonic realism available today from even moderately priced equipment.
Barry Willis  |  Nov 21, 1999  |  0 comments
Doug Sahm, of the Grammy-winning Tex-Mex group the Texas Tornados, was found dead in a motel in Taos, New Mexico on Thursday, November 18. He appeared to have died of natural causes, possibly a heart attack, Taos police said. Sahm was 58.
Stereophile Staff  |  Nov 21, 1999  |  0 comments
In his second installment of "Fine Tunes," Jonathan Scull writes: "I met a chap the other day whose wife said to me, 'Oh, you suffer from the same audiophile disease.' I hastened to inform her that I am the disease." But J-10 is also the cure, as he proves in this ode to building the perfect listening room.

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