News

We received a e-mail recently from long-time reader Sharon Churchill, which linked to an articlehttp://www.newscientist.com/blog/invention/2007/06/sticky-sweet-spot.ht…; in the New Scientist Invention blog concerning a recent Sony patent application for a system that will automatically recalibrate its response to put the sweet spot where the listener is, wherever that might be.

The 10th annual The Home Entertainment Show (T.H.E. Show), which will run January 7–10, 2008, concurrent with the 2008 Consumer Electronics Show (CES), has expanded its exhibit space to include both the completely renovated Alexis Park Resort Hotel and its neighbor, the St. Tropez Hotel. By using both venues, T.H.E. Show, in effect, throws down the gauntlet to CES, which last year abandoned its traditional high-end audio home at the Alexis Park and moved High-Performance Audio to the Venetian Hotel.

When Fred Kaplan made his Stereophile debut with his review of the Rogue">http://www.stereophile.com/tubepoweramps/307rogue">Rogue Audio Atlas power amplifier last March, our scheme was also to publish his writings on the music that fuels his soul, jazz. Starting this past weekend, you can find Fred's thoughts on recordings, concerts, musicians, and the music at http://blog.stereophile.com/fredkaplanhttp://blog.stereophile.com/fredkaplan/">http://blog.stereophile.com/fr…;.

On June 15, the Recording Industry Association of America (RIAA), Motion Picture Association of America (MPAA), US Chamber of Commerce, and the Coalition Against Counterfeiting and Piracy (CACP) announced an ambitious agenda to convince Congress and the White House to "transform the enforcement of U.S. intellectual property rights laws."

We were taking our morning constitutional around the Interwebs one day last week when we happened upon an article on Timesonline titled "Why">http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music… Music Really Is Getting Louder". Oh boy, we thought, a mainstream outlet is catching on to the whole issue of dynamic compression—a subject we have inveighed against repeatedly over the years. (JA first preached that particular sermon back in 1999http://stereophile.com/asweseeit/177/">1999;.)

In his primerhttp://www.stereophile.com/news/061107compression">primer; this week on compression, Wes Phillips mentions the now-ubiquitous use of "louderization" in CD production, which fills in the musical valleys and flattens the expressionistic hills to make a recording sound uniformly loud. Stereophile editor John Atkinson has long railed against this practice, so when Bob Reina asked John to record his new jazz quartet, Attention Screen, John felt that this would be the opportunity to put his money where his mouth was. He would record the band, which mixes electric instruments—guitar and bass guitar—with acoustic—piano and drums—as though it was a classical acoustic ensemble, with no equalization and no compression. By doing so, he would demonstrate that even so, the sound would still have dynamics and impact, that making an honest recording does not have to be an obstacle to powerful sound quality.

ArkivMusichttp://www.arkivmusic.com">ArkivMusic;, one of the Web's leading sources for classical music recordings, has struck a deal that enables them to release on their own reissue label, ArkivCD, out-of-print titles from the extensive catalogues of EMI Classics, Virgin Classics, and Angel Records. The reissues are available "on demand," copied from actual out-of-print CD releases (not master tapes) without compression or enhancement, and are often accompanied by copies of the original liner notes.