Cable Reviews

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Brian Damkroger  |  May 01, 2005  |  First Published: Apr 01, 2005  |  0 comments
It's not unusual for a high-end audio company to originate in another segment of the high-tech electronics world, but it is a bit unusual when the spin-off is a cable company. That's the case with Empirical Audio, whose founder, Steve Nugent, spent 25 years as a digital hardware designer for Unisys and Intel. The key is that, in addition to standard design work, he chased "the more esoteric sides of design, namely grounding, shielding, ESD (electrostatic discharge), EMI (electromagnetic interference), transmission-line effects, and power delivery." Voilà—cable design.
Paul Bolin  |  Oct 26, 2004  |  First Published: Oct 01, 2004  |  1 comments
Introduced in 2003, Siltech's G5 Classic series of cables evolved from their highly regarded Generation 3. The G3 series introduced a new metallurgy in which small amounts of gold were incorporated into the silver used as conductors. The G5 Classics use a proprietary geometry called X-balanced Micro Technology, which, according to Siltech, makes the G5s the quietest cables, with the lowest distortion, to be found. Kapton, Peek, and Teflon insulation is used, and the cables are designed to minimize the pickup of RF and EM interference, with low inductance, low capacitance, and low resistance as design goals.
Art Dudley  |  Aug 22, 2004  |  First Published: Aug 01, 2004  |  0 comments
A man dies and goes to hell, and Satan meets him at the gate: "Just this once, I'm going to let a newcomer choose his own torment," he says as he leads the deceased from room to room, opening doors on all manner of abuse—burning, flaying, Lou Reed's The Raven, you name it.
Brian Damkroger  |  Feb 22, 2004  |  First Published: Feb 01, 2004  |  1 comments
I've been in a nostalgic funk of late. What started it was visiting Golden, Colorado, where I spent my graduate-school days, and seeing all of the changes, not to mention the lecture halls full of kids who couldn't be a day over 12. When I commented on how young the freshmen looked, our host—a colleague of mine from grad school, now a professor—responded, "Those are seniors, Brian." I felt a little old.
Brian Damkroger  |  Jun 22, 2003  |  0 comments
Being a metallurgical engineer, I've always been intrigued by audio cables—their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables—some quite good—from companies that no longer exist.
Michael Fremer  |  Apr 25, 2003  |  0 comments
The dCS Verdi/Purcell/Elgar system's ultra-high resolution and superb focus, and its ability to drive an amplifier directly, provided a good opportunity to compare my current reference cables, Harmonic Technology's Magic Woofer ($2000/8' set) and Pro-Silway II interconnects ($399/m pair, $240/add'l. meter) with Analysis Plus's far less expensive Solo Crystal Oval 8 speaker cable ($969/8' set) and Solo Crystal Oval 8 interconnect ($399/m, longer lengths available).
Paul Bolin  |  Jan 02, 2003  |  0 comments
If the devil is in the details, then Beelzebub has taken up residence in the collections of cables we use to connect our components. Reviewing the stuff is tough enough, but things are even more difficult for the average audiophile: Inevitably, the wire that sounds fabulous in the store or in your friend's system doesn't work worth a hoot in your own system, and you're left where you began. Equally inevitably, the wire that does work best carries a price more often seen in Tiffany's or Harry Winston. It's enough to drive a hi-fi nut to drink. So relax, pour yourself a nice glass of wine, and sit right back to hear the tale of Robert Lee and his amazing wires...
Brian Damkroger  |  Mar 28, 2004  |  First Published: Aug 01, 2002  |  0 comments
We've all got our pet peeves, and one of mine is stiff, unwieldy audio cables that simply refuse to bend to my will—or to bend at all. Instructions like "carefully bend to final configuration, ensuring that no bend is sharper than a 36" radius" make my blood boil. At the opposite end of the spectrum, Audience's willowy Au24 cable and wonderfully flexible powerChord positively warmed my heart when I encountered them at the 2002 Consumer Electronics Show in Las Vegas.
Brian Damkroger  |  May 30, 2004  |  First Published: Nov 01, 2001  |  0 comments
One of the highlights of any Consumer Electronics Show, I have found, is Nordost Corporation's demonstration of their cables. Using a relatively modest system and non-audiophile source material, they run through a simple, straightforward sequence, climbing up through their product line, culminating with their new, just-introduced model. At each step, the system sounds distinctly better—clearer, cleaner, with more body and tonal purity—than with the previous model. There's no hype, artifice, or magic, just a clear demonstration of the progress that Nordost is making as they refine their designs.
Brian Damkroger  |  Mar 03, 2009  |  First Published: Oct 03, 2001  |  0 comments
Everyone loves a bargain. Everyone loves finding an undiscovered gem. But for audiophiles on a budget, finding good, reasonably priced cables isn't a luxury but a necessity. In a $1000 or $2500 system, there simply isn't money for $500 interconnects or $1000 speaker cables. Even a $5000 system—which most of my well-educated, music-loving, affluent friends view as pretty extravagant, by the way—can't accommodate premium cables like the Nirvana, Synergistic Research, or Nordost models that we reviewers rave about as "critical to getting the most out of your system."
Michael Fremer  |  Jan 07, 2001  |  0 comments
My review of the Audio Research VTM200 monoblock power amplifier elsewhere in this issue drove it home to me big time: Cables are important, and even more important is getting good cable advice from someone who knows and understands the gear you're using.
Michael Fremer  |  Jun 06, 2006  |  First Published: Oct 06, 2000  |  0 comments
We're also told that magnets can't possibly affect human athletic performance or relieve joint and muscular aches and pains. This, too, has been "scientifically" proven. Never mind that professional athletes swear by magnets, and that the disabled and the elderly have been helped as well. "Science" has proven them wrong, but medical magnet sales are exploding. Must be mass hysteria.
Brian Damkroger  |  Nov 24, 2008  |  First Published: Aug 24, 2000  |  0 comments
Recently, I caught myself smiling at a tiny ad for Nirvana cables that proclaimed them to be "the quiet cable." My smile wasn't because the claim was outlandish, which it wasn't, but because it was so typical of Nirvana Audio Products—small, understated, and all too easy to miss. The ad could just have easily and just as accurately have read "Nirvana...the quiet company."
Brian Damkroger  |  Dec 01, 2008  |  First Published: Mar 01, 2000  |  2 comments
In the last year I've written about several components of a truly engaging system: the VPI TNT Mk.IV turntable and JMW Memorial 12" tonearm (February '99), Grado Reference cartridge; the Wadia 830 CD player (October 1999); and Thiel's CS7.2 loudspeakers (February 2000). I've recounted the evolution of my listening-room setup as well, and described its optimization using ASC Tube Traps and Art Noxon's MATT test in the February issue. The final piece of the puzzle, and the one I'll tackle here, was the cable package from MIT: the MI-330 Shotgun Proline interconnects and the MH-750 shotgun speaker cables.
Jonathan Scull  |  Jun 06, 2006  |  First Published: Jan 06, 1998  |  0 comments
Ted Denney at Synergistic Research has come a very long way in a very short time. In the past I've enjoyed and commented on his Resolution Reference interconnect and speaker cable. Great stuff, but I'm picky. Then, not too long ago, boxes of his new, top-of-the-line Designers' Reference interconnect began raining down upon us (liveried, I might add, in an extremely vivid shade of green!).

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