As We See It

In early May, some of in the music press got an advance look at what was coming soon from Apple Music. Apple announced that, following the example of Tidal, Qobuz, and Amazon Music HD, the company would no longer deal in AAC, their improved (but still lossy) MP3 equivalent.

Henceforth, all Apple stereo downloads and streams would be at at least CD resolution; many tracks would be offered in higher resolutions, up to 24/192. Apple estimated that by the end of 2021, 75 million songs would be available at resolutions of 16/44.1 or better.

MQA has once again floated to the surface of the perfectionist-audio pond—not belly-up as some have hoped but forced there by relentless pursuit by anti-MQA predators posing as impartial jellyfish.

I bought my first streaming DAC in 2016, even though I wasn't yet convinced about streaming. Streaming audio was a great idea, but how would I get the music data from wherever it lives to my DAC's Ethernet port?

I was planning one of my occasional long drives, for music and photography. I had scheduled two nights in Nashville, so I asked around: Where should I go for live music after a dinner of Hattie B's hot chicken? Art Dudley recommended the Station Inn, perhaps the world's best venue for live bluegrass music. You can read about my experience there in the November 2019 Stereophile. The Station Inn has now added a streaming service. For $8.99/month or $99/year, you get between 10 and 20 live-streamed performances every month plus access to the archives. If you're a bluegrass fan or merely bluegrass-curious, I encourage you to check it out. It's not as good as being there, but it's still good.

Stereophile has discussed the pandemic occasionally because of its relevance to our industry and our listening lives. But for the most part, I've steered the magazine away from politics and current events, and I will continue to do so. In this essay, though, I will engage, glancingly, not with politics or current events but with an idea that's drawn from them. I'm doing it to make a point about audio.

I've written before in this space that to me the most wondrous aspect of our avocation (apart from the music) is the way it exists at the intersection of logic and emotion, of science and art. The equipment we use is made by engineers applying scientific principles, yet its goal is to deliver sensual pleasure. Both viewpoints are valid.