Reference

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J. Gordon HoltReference
Absolute Phase: Fact or Fallacy?
J. Gordon Holt  |  Nov 19, 2014  |  First Published: Oct 01, 1980  | 
Natural sounds produce different waveshapes during their positive and negative phases, and playback-system polarity reversal often changes the reproduced sound. Does this mean our ears are phase-responsive, or is there something else here we've been overlooking?

There has been much discussion recently among perfectionists about the importance of what is called "absolute phase" in sound reproduction. Basically, the contention has been that, since many musical sounds are asymmetrical (having different waveforms during positive and negative phases), it is important that a system make the proper distinctions between positive (compression) and negative (rarefaction) phases in playback.

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HistoricalJ. Gordon HoltReference
Subjective Loudspeaker Testing
J. Gordon Holt  |  Aug 08, 2019  |  First Published: Sep 01, 1966  | 
One of the most firmly-established audio platitudes is the one which says "The specs don't tell the whole story." One reason for this, of course, is the fact that most manufacturers, preferring to sell their products on the basis of emotional appeals in ads rather than on hard, cold performance claims, do not attempt to make their specs tell the whole story.
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HistoricalReference
Farewell to the Paper Cone
Irving M. Fried  |  Jun 06, 2019  |  First Published: Sep 01, 1962  | 
Ever since the first electrical loudspeaker—a glorified headphone with a horn on it—was outmoded by the balanced-armature cone speaker, paper has been the standard diaphragm material for speakers reproducing low frequencies. The Rice-Kellogg moving-coil transducer replaced the balanced-armature driving system in 1925, but the paper cone remained. And although many improvements have since been made, were no more major changes in loudspeaker design for over 30 years!
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