Sunny? Springy? Even more bizarre: No snow is predicted for the entire weekend, during the 34th Montreal Audiofest, which runs from March 24 to March 26.
Making its North American premiere—perhaps its world premiere, according to Le Studio du Son's Olivier Fragman—was the Aperion Verus III Concert V8T Tower speaker ($5000/pair, the big ones in the photo above).
Quebec-based Lemay Audio was one of my best sounds of the show. At its dizzying price, it should be. If its price makes your eyes glaze over at first glance, all is not lost. I'll get to that.
Does anyone who's been in our audio hobbyist orbit for some time not know speaker designer Andrew Jones? Wouldn't it be funny to imagine that in alternate 'verses in the multiverse, Jones might be something other than a famous speaker designer? Perhaps a famous pianist in one 'verse, an accountant in another (footnote 1)?
MartinLogan's Motion F200XT in the Planète Haute-Fidélité room wasn't the only speaker in town to employ a Heil Air Motion Transformer tweeter. So did Monitor Audio's 3-Way Platinum 300 3G (for 3rd generation) floorstander ($22,000).
Finally, it snowed during the weekend of the show, on Saturday, which was disappointing. It meant I wasn’t in an alternate 'verse of the multiverse after all and, consequently, I wasn’t the Alternate Rob with a half-million-dollar hi-fi waiting for him at home.
The second demo I heard in Focal Naim's spacious, hall-sized room was centered around the brand new Naim NSC 222 streaming preamplifier ($12,000) from the company's New Classic Series. This is big news in the realm of Naim, though it doesn't entirely replace Naim's last Classic Series, which was launched … 50 years ago!
When I think of MartinLogan, I immediately envision an electrostatic speaker. One of their tall ones equipped with the dynamic woofer. A second later, I'll be reminded that Martin Logan also makes good cabinet-style standmounts such as the one I saw at the 2019 Toronto Audiofest, the Motion 35XTi. What I won't naturally equate with an ML design is a box-design floorstander,
Talk about a dream triad of fabulous gear from Switzerland: darTZeel, Stenheim, Merging Technologies. The first thing I said to myself when I saw this simple, sharp-looking spread in Toronto-based retailer Sonic Artistry's room was, "Damn, this is an attractive group!".
Friday—opening day—was crazy. I've never visited so many rooms in one day at an audio show—14, to be exact. That's a lot of rooms to cover. As a show reporter, you must take the time to listen to the gear, evaluate its sound, jot down legible impressions, make sense of exhibitors' explanations, get product names and prices, take photos of the gear, and ask for business cards so you can contact someone later if you're missing information. Then, despite my best efforts, I often must make a repeat visit because I forgot to take a particular photo or pick up a price list or ask for the exhibitor's business card. It's time-consuming.
When I asked Totem's Vince Bruzzese, at last year's "static" launch of the new Bison series, what the impetus was to create the Bison range, he said it came down to wanting to create something special to mark the company's 35th birthday but also that of the Model 1, which came out in the year of the company's founding, 1987.