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Robert Schryer  |  Oct 25, 2021  | 
Who knew I’d meet Paul Simon—the Paul Simon, pop star, the shorter half of Simon and Garfunkel—at the Toronto Audiofest?
Robert Schryer  |  Oct 24, 2021  | 
They say staring is impolite, but as I listened to the music from this system in the American Sound of Canada room, it was hard to keep my eye from wandering to gaze lustily at the assembled gear.
Jim Austin  |  Aug 26, 2022  | 
Since 2007, Audio Advice Live has been an annual, one-night event, drawing enthusiastic audiophiles to the Audio Advice showrooms in Raleigh's Glenwood Avenue, next to Virgin Cigars, or to their location in Charlotte. But this year, Audio Advice Live was different: It was a fully fledged audio show, held like most such events at a conference hotel: the Sheraton Raleigh Hotel, in that North Carolina city, with rooms sponsored and presented by a wide range of hi-fi (and home-theater) companies. The show's website listed 70 brands—58 home audio brands, the others video-related—followed by a graphic saying "+ MANY MORE!"
Robert Schryer  |  Oct 25, 2021  | 
Whether at the Toronto Audiofest or the Montreal one, Audio Note UK always has a room set up that is simple to string together, not very expensive, and imminently musical. It was no different at this year’s Toronto show.
Robert Schryer  |  Oct 23, 2021  | 
Another fun room was the one sponsored by Centre Hi-Fi, a Montreal-based audio dealer that decided to add a flagship division called Genesis that offers higher-performance and higher-priced products than it normally sells.
Robert Schryer  |  Oct 26, 2021  | 
I generally avoid home theater rooms at an audio show because typically—and reasonably—they’ve been set up mainly with the cinematic experience in mind rather than the musical one. So I hesitated before entering the two adjoining EQ Audio Video rooms because they had screens. But with a little prodding from company owner Ed O’Hearly—he assured me that the systems in the rooms were strictly stereo—I acquiesced. I’m glad I did.
Robert Schryer  |  Oct 25, 2021  | 
In a near-repeat of my visit to the Gershman Acoustics room at 2019’s Toronto Audiofest, I got the chance to meet up with the Toronto-based company’s Ofra and Eli Gershman and also Krell COO Walter Schofield.
Julie Mullins  |  May 01, 2022  |  First Published: May 02, 2022  | 

The MoFi Distribution classic gear fun continued in Suite 346, with two pairs of Wharfedale Heritage Linton speakers ($1799/pair), stacked, with the one on top inverted so that the two tweeters were in the middle. One Wharfedale Linton stand ($399/pair) supported each side's stack.

Robert Schryer  |  Oct 26, 2021  | 
Olga Oreshyna is an artist who makes, as she calls it, "non-traditional art." She begins by collecting old wood, “with scratches, cracks, knots, and other imperfections that are similar to real life." She carves it into pieces, dries it, colors it with acrylic paint or stain, and “fits [it] to a specifically designated position” among other wood pieces to create a mosaic sculpture.
Robert Schryer  |  Oct 26, 2021  | 
Do your speakers that go low and tight in the bass?
Robert Schryer  |  Oct 23, 2021  | 
My third room belonged to audio importer Motet and Winnipeg-based retailer AltitudoAudio. The gear in this room was more modestly priced than in previous rooms, but it delivered the musical goods.
Robert Schryer  |  Oct 24, 2021  | 
Okay, so what next?

BIG speakers, namely the 3-way PMC Fenestria ($90,000), which loomed tall in the second Motet room. Upstream components included an Accuphase A75 amplifier ($25,600), Accuphase C2850 preamplifier ($25,000), Lumin U1 streamer ($10,000), and—get this—an iFi Diablo DAC that retails for $1200!

Robert Schryer  |  Oct 25, 2021  | 
It's not often that I come across a piece of gear at an audio show that I pine to own. The Simaudio Moon 40th Anniversary Limited Edition system is in that category, but I'd better hurry: Production is limited to 40 systems.
Robert Schryer  |  Oct 23, 2021  | 
Next up was another great-sounding room (it felt so good to be back!). Hosted by Mark Elias, owner of retailer Soundstage Fine Audio, this room boasted some high-grade gear, starting with Vandersteen’s new, dark, and handsome KĒNTO Carbon speakers ($49,000/pair), which Vandersteen representative Brad O’Toole seemed rightly proud of, as well as of the company’s 150Wpc solid state, zero feedback M5-HPA High-Pass monoblocks, which were powering the KĒNTO's higher-frequency drivers.
Robert Schryer  |  Oct 23, 2021  | 
“Hello Toronto Audiofest! It’s good to be back!”

That was my first thought when I entered the Westin Toronto Airport Hotel, the same venue used for the previous, and first ever, Toronto Audiofest in 2019. It was also the thought I had inside the first exhibit room I visited, sponsored by importer Wynn Audio and helmed by the amiable Wynn Wong.

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