After Emiko Carlin of T.H.E. Show basically ordered me to check out AirHush’s display at T.H.E. Show, I spent a few minutes speaking with company CCO Michael Quinby.
An intriguing system from MK Audio LLC of Charlotte, NC, brought to the fore Arion Audio’s nearly full-range AMT line-array Apollo System loudspeaker ($24,900/pair). The Apollos, which were paired with active subwoofers, claim an astounding 105dB sensitivity—sensitive enough to work with Triode Labs' 2A3 3.5W vacuum tube amplifiers (no price supplied). At least I think I was hearing the 2A3s, because also in the rack were Arion Audio’s LS-500 hybrid Class D amplifiers ($6995/pair). Preamplification was the company’s LS-200 hybrid line-stage ($3995).
See the smiling woman in this photo with a dazed-amidst-all-these-rooms yours truly? Meet T.H.E. Show’s fabulous Director of Social Media and Marketing, Emiko Carlin, a former classical pianist and musician whose 3000 songs include some #1 pop singles. I don’t know how this dazzling woman comes across to others, but for me, discovering Ms. Carlin was like meeting an old friend.
Small does not mean negligible. Especially when a system includes the first West Coast showing of ATC's new CD2 CD player ($2349) and SIA2-100 integrated amp/DAC ($3749).
As one of the only companies to send out a press release prior to the opening of T.H.E. Show, ATCalong with its host, Lone Mountain Audioearned pride of place in my "I can't possibly do them all" list of show coverage priorities.
I visited three large rooms on the second floor, and of which suffered from the same serious problem: soft convention-type moveable air walls whose porous surfaces and interior reek havoc with soundwaves and let sound bleed between rooms.
When I entered my penultimate Scott Walker Audio room, Kevin Wolff of Bowers & Wilkins was playing outtakes from a 1989 recording by Branford Marsalis. The sound of Marsalis's sax was so distinctive and, to my ears, beautiful that I began to smile. (Trumpet was another instrument whose sound this system conveyed with perfection.) As Kevin segued into a 16/44.1 file of Thomas Dolby's "I Scare Myself," I scribbled in my notebook, "This is a system that reminds you of what the high end is all about."
After trying more than once to get into the CAD room at Munich High End, I ended up hearing a significantly smaller version of their system in Long Beach. This time, the hybrid integrated amplifier was the excellent Aesthetix Mimas ($7000 without optional modules), which I’ve reviewed for the August issue of Stereophile, and the speakers the diminutive Swiss Boenicke W8 SE ($12,500).
It took two tries over the course of two days to find a seat, but on Sunday afternoon, I finally squeezed into the room shared by EAR and PranaFidelity. The wait was worth it.
If Scott Walker Audio had staked out a mini-empire on floor 3, Sunny Components of Covina, California, did the same on floor 6. The first room I visited, of the four from Sunil Merchant, included Egglestonworks' 87dB-efficient Nico speakers ($4250/pair), ....
You’re going to need to indulge me a bit, because, due to some communication difficulties, I’m not totally confident of some prices and components in this room. If I understood correctly, the handmade-in-Japan, 1-bit Sparkler Audio S503 CD Player/Transport costs $1650, and the build-it-yourself EleKit TU-8600R integrated amplifier, also from Japan, goes for $1785.
See that weird looking thing? It’s the outboard crossover to end all outboard crossovers, and it belongs to the relatively slim Evolution Acoustics Exact Series Maestoso 3-way loudspeaker system ($18,900). Heading an impressive and hardly bargain system from Blue Light Audio of Portland and The Audio Association of Anaheim Hills, the Maestoso made one of its first show appearances since I covered its debut at the Rocky Mountain Audio Fest—was it three years ago?
Oh boy, was soundstaging excitingly three-dimensional in the Scott Walker room that headlined Gryphon electronics. Listening to 15ips tapes played on a Sonorus reel-to-reel deck ($19,500) by Philip O'Hanlon, of Gryphon distributor On a Higher Note, the extraordinary depth on Sarah Vaughan's "When Your Lover Has Gone" certainly seized my attention.