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Jason Victor Serinus  |  Mar 11, 2012  |  2 comments
At Saturday night dinner with Channel D’s Rob Robinson, his wife Claudia, and Jeff Joseph of Joseph Audio, we spoke about the number of exhibitors at audio shows who either come ill-prepared to deal with the vagaries of hotel room sound, don't know what to do about room-invoked sonic anomalies, or think any attempt at amelioration is futile. This was certainly not the case with Jeremy Bryan, President CEO of MBL North America, Inc. Faced with an air-walled room replete with bass boom, and whose ceiling was sonically divided halfway back into the listening position (with the back half of the ceiling concealing a crawl space that did not extend forward), Jeremy took immediate action. He may have been up until the wee hours, but when we arrived in his fabulous-sounding space, I had no idea that behind the rear drapes were concealed double rows of mattresses, stacked on their ends, that were absorbing errant bass. Rob and Jeff were familiar with this fix, because they had done the same in their room.
Jason Victor Serinus  |  Mar 12, 2012  |  0 comments
In a room too small to do YG Acoustics' gems full justice, YG's Dick Diamond had assembled a most impressive system for the Anat III Signature ($119,000/pair, back) and sometimes played, more modestly sized Carmel loudspeakers ($18,000/pair, front). We're talking the same four-piece dCS Scarlatti system (approx. $79,000) and Veloce Audio LS-1 battery powered line stage preamp ($18,000) used in the Scaena room, plus two Krell Evo 402e amplifiers ($18,500). Cabling was all Kubala-Sosna, and a PS Audio Juice Bar took the place of power conditioning. Needless to say, the system presented a complete symphonic picture, with solid bass extremely natural and controlled, as opposed to hyped up. In addition, instrumental timbres were pretty much right on.