Munich High End 2011

Unfortunately, Jeff Joseph’s shipment of gear was delayed due to a short FedEx strike which occurred in Paris. Joseph was understandably tired and frustrated, but he hadn’t lost his great sense of humor.

“I can still play the speakers,” he said with a straight face.

I thought for a moment that he would employ some powerful new wireless technology; Joseph was an early proponent for computer-based audio.

“Oh yeah?”

“Yeah. What would you like to hear?”

He covered his face with the press release for his lovely Pulsar ($7000/pair) and began to sing.

I can’t remember what song we listened to, but it really was like hearing live music. There was almost nothing separating us from the song.

A goodbye note from JB Stanton Communications' Bryan Stanton, one of the many friendly faces I somehow managed to miss while in Munich.

And just as suddenly as we arrived in Munich—just as we were beginning to feel comfortable and alive—it was, unfortunately, time to leave Munich. Rosemarie and I loved the city, the people, the food, and the hi-fi.

The M.O.C. proved to be an outstanding venue for presenting hi-fi in the best possible light, creating an atmosphere that invited attendees to linger, relax, enjoy. Though the weekend’s weather was absolutely glorious, people from all over the world decided to spend it indoors, with music and sound and gear.

Some stats and trivia:

I was drawn to the smoky, nearly sunburst finish of the Luxman D-30u CD player, which offers a choice between solid-state and ECC82 vacuum tube playback. The matching SQ-30u vacuum tube integrated amp offers 30Wpc and has a selectable MM/MC phono stage; MC cartridges are handled by a step-up trannie. Cool.

Jim Richards poses beside his MD 806 WiFi tuner ($2500; sitting on the shelf below the sweet turntable).

In development for over two years, the MD 806 provides access to FM, DAB, and DAB+, as well as Internet radio stations via its onboard WiFi antenna or LAN, and locally connected music collections (MP3, AAC, FLAC, WMA, Real). Its 3.5” touchscreen displays metadata, genre, bit rate, codec, and sampling rate for the playing track, while personal audio collections (accessed through a local network or USB connection) are navigable by artist name, album name, or musical genre.

Optical and RCA digital outputs are also included for use with an external DAC.

These two kitty-clad women have been following me all over the show. They’re here to promote Cambridge Audio’s new Minx series of mini-speakers, made to match a small, stylish design with true high-quality sound.

Genius.

“You two are so hot, you should be illegal,” I told them.

They laughed.

“What did you just say to them?” Rosemarie asked.

“I told them they were so hot they should be illegal.”

“God, you’re such a guy.”

“Danke!”

Music Hall’s new plug-and-play dac15.2 ($299) has USB, coaxial, and optical inputs and is capable of handling resolutions up to 24-bit/96kHz.

“It’s just fucking amazing,” Roy Hall said simply.

Available this fall.

Musical Surroundings’ Garth Leerer explained that the success of his company has hinged upon his ability to find and work with great designers. Often these relationships grow naturally over time and depend on the perfect alignment of certain circumstances, as was the case when Northern California designer Michael Yee needed someone to market his Phonomena phono stage: It was too inexpensive for one distributor, too expensive for another, but just right for Leerer; and, so, a long relationship was born.

In the case of the Fosgate Signature phono stage ($2500), Jim Fosgate had been tinkering with the design for nearly 30 years. After a break from analog, Fosgate wanted to get back into vinyl. He first became a customer of Musical Surroundings, and later approached Leerer with a design. The Fosgate Signature is an all-tube, MM/MC design at a real-world price, “a dream product” for Leerer.

Along with the Signature phono preamp and Fozgometer azimuth tool (reviewed by Michael Fremer in our May 2010 issue), Fosgate will design a line stage and power amplifier for Musical Surroundings, to be debuted at the 2011 Rocky Mountain Audio Fest.