RMAF 2008

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VTL and Avalon

I literally breathed a sigh of relief when I entered this room. Not that anything was wrong with the exceptional sound of the vast majority of rooms I visited. But of all the systems I auditioned, this one felt most like a safe haven. It was like coming home.

Wavelength's Cosecant DAC

A close-up of the Wavelength Cosecant v3 DAC ($3500) that I used for my hi-rez dems. Using a single 6GM8/ECC86 dual-triode to drive the single-ended, transformer-coupled output, this is one of a very few USB-input DACs on the market that runs the USB link in "asynchronous" mode, whereby the DAC controls the flow of data from the computer and not vice versa, thus drastically reducing word-clock jitter when those data are fed to the DAC chip. I was impressed by its sound, playing 24-bit/88.2kHz files from my laptop, so I have asked for a review sample.

We're All Audiophiles

Newcomer Virtue Audio made its debut at the Rocky Mountain Audio Fest showing a colorful collection of affordable Tripath amplifiers. The 45Wpc Audiophile One ($249) integrated amp was engineered by Audience's Roger Sheker and uses VirtuCap input capacitors designed for Virtue by Audience. Inside the chassis, you'll find the cutest little heat pipe designed to maximize space and keep things cool. On the rear panel, propeller post binding posts makes making connections easy, and the amp's aluminum chassis is available in five bold colors (black velvet, snow [a kind of frosty white], red brick, clouds [a kind of frosty blue], and mesa [a kind of mustard]).

WLM Diva

In addition to building his SLA-powered electronics and making babies, Vinnie Rossi is now the new US distributor for WLM loudspeakers. How does he do it all? The front-ported Diva Monitor ($5000/pair) uses a paper-cone coaxial drive unit, has a handy tweeter control on its back panel, and is said to provide an impressive 95dB sensitivity.

Zippy

Something happened in the middle of the tenth floor. In the remaining rooms I visited to the right of the elevator—with apologies to all those systems I unintentionally missed due to the pathetic human limitation of being unable to be in three rooms at once—the sound was darker, less illumined, but nonetheless quite involving. This is actually a sound that large numbers of audiophiles prefer. It's a more seasoned and mellow sound, less apt to sound bright and edgy in live rooms, and closer to the sound in acoustically dampened environments. It's truly a case of different strokes for different folks.

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