HE 2006

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Shure's PTH Control Switch

I've never owned a set of headphones. Is that what they're called? Or should it be pair of headphones? Headphones? Earphones? I don't even know. I've stayed away from headphones for a couple of reasons: I don't like having things on my head or in my ears, and I actually do enjoy hearing the sounds around me — the banjos on the F train, the buses on Madison Avenue, the sirens around the corner, the construction in our hall. Oh, and the birdies chirping, too.

Simaudio & Dynaudio

In the Simaudio/Dynaudio room, the sheer size and weight of the bass commanded equal respect. This was some of the finest low bass extension I have so far encountered at the show. (The bass impact of the new Wilson Watt/Puppy8s also deserves mention). Imagine my surprise when, after my audition, Simaudio’s Costa Kouliisakis told me that he had not yet succeeded in getting the room to deliver all of the deep bass extension the equipment was capable of producing.

Sonics & Immedia

The Immedia room proved an isle of sanity amidst the clamor. As I entered, the folks were playing Analogue Productions’ HQ-180 pressing of Chet. Heard through Joachim Gerhard’s somewhat diminutive, 90 lb Sonics Allegria speakers ($15,000/pair, shown above with Immedia’s Allen Perkins), the trumpet sounded far bigger and lifelike than speakers this size “should” make it sound. Equally impressive were the amazing depth, height, and width of the soundstage. No small part of the credit is due Perkins’ Spiral Groove SGI turntable ($20,000), Immedia RPM tonearm ($2995), Lyra Skala cartridge ($2500, a replacement for Lyra’s Helicon), the Lyra Connoisseur 4-2LSE preamp ($25,000), and Ayre V5XE 150 Wpc amp ($4500).

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