Stephen Mejias

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The Shape of Jazz to Come

Today is Ornette Coleman's 81st birthday, and we can celebrate with smiles, thanks, and The Shape of Jazz to Come.

Tune in to Columbia University's WKCR for a full day of Coleman's work as the station celebrates "innovation, relentless individualism, and commitment to artistic freedom." Right on. You might also enjoy Matthew Ditullo's excellent "This Shape of Jazz" blog, where Ditullo thinks about jazz, blues, and beer.

The Sonos CR200 Controller

When John Atkinson reviewed Sonos's original ZP80">http://www.stereophile.com/budgetcomponents/1006sonos/index.html">ZP80 Bundle, he fell in love with the company's CR100 controller which uses a full-color, 3.5" LCD screen to provide easy navigation of music files on up to 16 network devices and displays all the metadata associated with each track, including album art. JA wrote:

The Sonos SUB: Sexy, Smart, and Fun

The Sonos SUB seems a no-brainer for those who have already purchased Sonos systems and who need, or merely want, the extra bass power. But, because it is so beautiful and so easy to use, it will likely also appeal to anyone who appreciates smart technology and high-quality sound. I have no use for it at all, and I still want it.

The Tallest Man On Earth: The Wild Hunt

Comparisons to a young Bob Dylan are inevitable. There’s the same sort of defiance, the odd insouciance, the long lines of poetry squeezed out and hacked out and blown out like kisses, too. The guitar work is very good&#151scintillating at times and always passionately wrought&#151but it’s the voice that gets you. The voice&#151childlike but crotchety as hell, delicate but yearning, beautiful but completely wrong. The voice is what gets you. Kristian Matsson is The Tallest Man On Earth; he plays rock and roll, and plans to be forgotten when he’s gone.

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