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American radio stations which stream music programming over the Internet may be facing substantial outlays in royalty fees paid to record companies, under a December 8 ruling by the US Copyright Office, a division of the Library of Congress. After months of legal wrangling, the office decided that radio stations are just as liable for such fees as other music sites. "Transmissions of a broadcast signal over a digital communications network such as the Internet are not exempt from copyright liability," the ruling states.

Traditional music radio has been taking a beating since the mid '80s, when declining audience numbers entered a ratings freefall. Reader Bard-Alan Finlan argued in his Soapboxhttp://www.stereophile.com/showsoap.cgi?276">Soapbox; a few weeks back that perhaps digital radio could cure the market's over-the-air terrestrial broadcast ills, if only it were implemented with adequate bandwidth and marketed correctly.

Radio has been getting a new lease on life, with Sirius and XM satellite services, DAB (Digital Audio Broadcasting), and Internet "stations" popping up in the tens of thousands. With the Clear Channelfication of North America's FM and AM airwaves, many would argue that the timing couldn't be better for launching new broadcast technologies.

Unique circumstances conspired to make the March 15 US debut of Raidho's handsome 2.1, 2.5-way floorstanding loudspeaker ($28,000/pair) at AudioVision San Francisco an unusual event. Despite ample planning on everyone's part, US Customs, which has never been known for putting audiophiles first, held up delivery of Raidho's new babies until the afternoon of the demo. Did they perhaps think that the "Raid" in Raidho was code for a terrorist plot?

Due to this unforeseeable snafu, what a very full house of eager audiophiles heard was not the Raidho 2.1 in all its glory, but a literally out-of-the-crate speaker whose drivers, capacitors, and circuits, by all accounts, had undergone only something like 5 hours of break-in. There was nothing that even Nordost's Lars Christensen, creator of the most masterfully conceived and executed audio demos I have ever witnessed, could do about the fact that the speaker could only provide an tantalizing albeit incomplete indication of its ultimate potential.

Roger A. Modjeski's RAM Labs and Music Reference electronics now have a home on the Internet.

All of us at Stereophile were saddened by the death of Ray Charles. The giant of music passed away Thursday, June 10 at his home in Beverly Hills, surrounded by friends and family. He was 73.

We are saddened to learn of the passing of inventor and audio entrepreneur Ray Dolby. Other sites have published full obituaries; I'd like simply to offer my memory of interviewing Ray back in the spring of 1977 for the English magazine Hi-Fi News, when Dolby Laboratories were trying to get the BBC interested in using Dolby noise reduction in FM broadcasting. Despite my being a neophyte audio writer, I was treated with courtesy and respect by a man who had forgotten more about audio engineering than I knew.