Digital Processor Reviews

What? Johnny-come-lately turntable manufacturer Brinkmann Audio now makes a DAC? Are they desperate? What sampling rates does it support—16²/₃, 33¹/₃, 45, and 78? I guess the vinyl resurgence is over! Why else would Brinkmann make a DAC?

If that's what you're thinking, consider that Helmut Brinkmann began designing, manufacturing, and marketing electronics well before he made the first of the turntables for which his company is best known in the US.

In February 2009, I reviewed Bryston Ltd.'s first CD player, the $2695 BCD-1, and was very impressed by what I heard. The BDA-1 ($1995) is the Canadian company's first standalone DAC. It's slim, only 2.75" high, with the engraved company name, model number, and infrared sensor grouped at the extreme left of a front panel of polished aluminum. Farther to the right are two columns of four LEDs each that comprise the sample-rate indicator, which identifies the selected input's signal frequency and whether the BDA-1 has locked to it. Closer to the center is the Upsample control, which governs the conversion of the incoming digital signal synchronously to 192kHz or 176.4kHz. The Upsample LED turns green for 192kHz, red for 176.4kHz. Digital sources are selected by pressing one of eight pushbuttons just right of center: two TosLink, four S/PDIF (coaxial), one AES/EBU XLR, and one USB 1.1, the last accepting only signals with sample rates at or below 48kHz. An LED above each pushbutton lights green for an incoming PCM datastreams and red for other types, including multichannel Dolby Digital streams.

Ah, domesticity. Just when I had the reference system sounding better than ever, the husband decided to relocate his electric keyboard and music stand, which had been positioned along the right wall of the detached music room, to the dining room in the main house. His reason was rational: While I did the reviewer thing in one space, he'd be free to practice keyboard and sing in another. But what was rational to him screwed with my reference sound and drove me to the brink of irrationality.

Though their first CD player featured a vacuum-tube output stage, California Audio Labs is recently known for making good-sounding, moderately priced solid-state CD players, like the Icon Mk.II that Jack English reviewed in July 1992 (Vol.15 No.7). The Sigma, a $695 tubed D/A converter, furthers their reputation in both areas.

I've enjoyed having one of Cambridge's integrated amps in my office system for years, and the company boasts that the 851 series, designed in the UK and manufactured in China (like the rest of their line), is the best they've produced so far. After spending the last year listening to domestically manufactured DAC-preamps costing $6000 and up, I was curious to hear how a product costing only a quarter of the bottom of that range might stack up.

The Dragon Pro is, I believe, the most eagerly awaited of the Camelot products. Since the disappearance of Audio Alchemy's DTI•Pro 32, no comparable anti-jitter and resolution-enhancement product has come along to replace it. (Yes, there are simpler anti-jitter boxes, and there is the Genesis Digital Lens, but these are not truly comparable in approach.) Well, the Dragon is everything that the DTI•Pro 32 was, and more!

The Dragon Pro anti-jitter box offers both jitter reduction and resolution enhancement, along with I²S in/out. Considering the number of Web newsgroup ads from folks wanting to buy AA DTI•Pro 32s, this baby has a waiting market.