Budget Component Reviews

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John Atkinson  |  Dec 10, 2006  |  First Published: Dec 10, 1994  |  0 comments
The SC-I ($995/pair) is the smallest model in the "Signature Collection" to come from Dunlavy Audio Labs, the company founded by John Dunlavy after he left Duntech. The largest model in this series used to be the $4995/pair SC-IV that Robert Deutsch so enthusiastically reviewed last April, and that this month was voted Stereophile's 1994 "Product of the Year." There is now also a huge SC-VI available.
J. Gordon Holt  |  Apr 13, 2017  |  First Published: Dec 01, 1969  |  5 comments
Everyone knows that a lot of serious music listeners—that is, those who listen to music instead of using it as a conversational background—have neither the space nor the money for a pair of typical floor-standing speakers, and must make do with bookshelf-type systems that are actually small enough to put in a bookshelf. But while the typical audio perfectionist will freely admit that there is a place in the audio sun for these dinky little speakers, he cannot really take them seriously, particularly when they're priced significantly under $100 each.
Robert J. Reina  |  Mar 22, 2010  |  2 comments
I miss the High End Shows. Not the annual Consumer Electronics Show in Las Vegas—no thanks. I can do without the overpriced hotels, the 45-minute taxi lines, the frantic racing from venue to venue. No, it's the Stereophile shows I miss, with the centralized location, the rubbing shoulders with readers ("Hey, you're the cheap-speaker guy! Check out room 206!"), the listening to live music, and maybe even playing a little of it.
Michael Fremer, Robert J. Reina  |  Jul 10, 2005  |  First Published: Jul 10, 1997  |  0 comments
No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.
John Atkinson  |  Nov 08, 2004  |  First Published: Nov 01, 2004  |  0 comments
The integration of computers into high-end audio is contentious. A reader poll last spring on our website indicated that a significant proportion of audiophiles—a quarter—is dead set against the idea, yet both Microsoft, with Windows Media Player 9, and Apple, with iTunes, seem convinced that the future of domestic music reproduction involves computers. To support that idea, both Apple- and Windows-based computers (the latter with Intel's about-to-be-launched HD Audio technology) are promoting hi-rez audio playback.
Herb Reichert  |  Mar 31, 2016  |  19 comments
The first I heard about Elac's new Debut line of speakers was from two 12-year-olds at T.H.E. Show Newport Beach 2015. "Elac's room is making the best sound at the show," they said.

Elac? I thought. I have an Elac Miracord 40A turntable. Hmmmm...

So I walked to Elac's room and listened to the Debut B5 bookshelf speakers ($229.99/pair). I was impressed—but maybe not as impressed as everyone else in the room seemed to be. In the halls, people were raving: "Did you hear Andrew Jones's new speaker?" Show bloggers went crazy. People kept asking me, "Herb—what'd you think of the Elacs?" My polite response was always, "I'm glad I'm not in the business of making $1000/pair speakers."

John Marks  |  Dec 31, 2008  |  First Published: Oct 01, 2008  |  0 comments
There is much to admire and to enjoy in this idiosyncratically charming hybrid loudspeaker. Eminent Technology has been around for about 25 years. Founder Bruce Thigpen was a pioneer in air-bearing technology, and ET's first product was a well-regarded air-bearing tonearm. The company later developed and was awarded patents for its Linear Field Transducers (LFTs): push-pull loudspeaker panels that operate on the magnetic rather than the electrostatic principle. Arraying magnets both front and rear of the plastic-membrane diaphragm eliminates a problem inherent in many planar-magnetic designs: as excursion increases, the magnetic restorative force diminishes. As can be expected, this technology is not efficient at reproducing bass, so most such speakers have been hybrids.
Corey Greenberg  |  Mar 30, 2008  |  First Published: Feb 02, 1993  |  0 comments
"And I say panel speakers can't rock'n'roll—"
Robert J. Reina  |  Mar 24, 2015  |  7 comments
"I'm intrigued how Emotiva can offer an active speaker for so little."

This was John Atkinson's response to my request to review Emotiva's Pro Airmotiv 4s ($299/pair). My colleague Steve Guttenberg had been discussing this speaker with me at a recent industry event, and I'd realized that it had been some time since I'd reviewed an entry-level loudspeaker. I'd reviewed Emotiva's X-Ref XRT-5.2 floorstanding speaker in the August 2012 issue and had been impressed with its combination of sound quality and price. I requested samples for review.

Stephen Mejias  |  Apr 09, 2012  |  First Published: Dec 01, 2011  |  7 comments
Because I am an audiophile, I want to hear that music through the best possible source component. Lately, I've been enjoying CDs through the Emotiva ERC-2 CD player ($449).

The Emotiva ERC-2 measures 17" (435mm) wide by 4.25" (110mm) high by 14" (360mm) deep and, at 17.5 lbs (8kg), is the heaviest component to enter my listening room since the 25-lb Simaudio Moon i3.3 integrated amplifier ($3300, discontinued). The player's distinct appearance was developed by Emotiva's president and CEO, Dan Laufman, and VP of engineering, Lonnie Vaughn. In building the ERC-2, their goal was to "keep it simple, easy to use, and elegant . . . in a machine-oriented way."

Robert J. Reina  |  Aug 02, 2012  |  0 comments
We've all read about how bookstores, appliance stores, and other bricks-and-mortar retailers are suffering with the increasing domination of Internet sales. That got me thinking about audio dealers. I've always believed that one can't really make an informed purchase of audiophile equipment without hearing it in a system properly set up by and at at a serious audio retailer. Here in New York City, we're blessed with six first-rate audio dealers in Manhattan alone, with more in the suburbs. I estimate that 90% of the products reviewed in Stereophile can be auditioned at a dealer or two within a two-hour drive of anywhere in the New York metropolitan area.
Herb Reichert  |  Jul 20, 2017  |  39 comments
Have I told you about my objectivist friend—the left-brain audiophile who puts a lot of trust in measurements? He has a high natural intelligence and is an extremely experienced listener, but once he knows a component doesn't measure well, he can never again experience it impartially.

I don't want to embarrass my friend, so in this story I will call him O., for Mr. Objectivity.

Thomas J. Norton  |  Jun 28, 2008  |  First Published: Sep 28, 1996  |  0 comments
Reality check number one. Tired of reading about the latest and greatest $65,000 loudspeakers? Or even the current hot ticket at $2500? Such loudspeakers promise to bring you the audio truth, or the golly-gee-whiz, honest-to-gosh, absolutely positively real sound. And some of them do seem to come awfully close, though truth be told, we're still a long way from replicating reality—and will never do it with just two channels.
Stephen Mejias  |  Mar 02, 2012  |  First Published: Nov 01, 2011  |  0 comments
The two-way Energy CB-10 ($269.99/pair) is a bass-reflex design. A large rear-firing port has an internal diameter of 2" and flares out to 2.75". The speaker uses a 1" aluminum-dome tweeter and a 5.5" woofer with a ribbed elliptical surround, the latter said to increase excursion, decrease distortion, and create a larger piston area for greater efficiency, making the CB-10 an easy match for amplifiers. The CB-10's frequency range is listed as 66Hz–20kHz, its in-room sensitivity as 90dB, and its nominal impedance as 8 ohms. In Energy's Convergent Source Module design, the tweeter and woofer are meant to act as a coincident source working together to provide wide bandwidth, constant dispersion, and a flat frequency response. In theory, this would all add up to easy setup and satisfying listening from anywhere in the room.
Brian Damkroger  |  Aug 05, 2007  |  First Published: Dec 05, 1998  |  0 comments
"They're cuuuute!" Not a very professional reaction, but what can I say? When the Monster Cable folks pulled out their new Entech Number Crunchers during a recent visit to Santa Fe, I couldn't help myself. I was edging John Atkinson and Wes Phillips out of the way, using my long arms to reach over...gotta get one! There would be time later for the critical evaluation and cool, detached objectivity—first, I had to get one. The Entechs are the Beanie Babies of the audio world

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