First of all, you have to realize that the boundaries are the enemy: they reflect sound, and most dynamic speakers are not designed to compensate for these reflected sounds. Of course, by definition, all rooms have boundaries. There are two ways to approach the problem of boundary interaction: one is to alter the boundary itself—make it so absorptive that it has no reflective quality. Or, you could make it so randomly diffusive that it breaks up the comb-filter effect and the standing waves. The approach that I use, however, is…

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Coupled with a very high sensitivity—calculated at 91dB/2.83V/m (B-weighted)—the impedance of the Series 5 WATT by itself (fig.1) is definitely kinder on amplifiers than the earlier versions. Its minimum value is 5.2 ohms in the lower midrange, and the phase angle is moderately low above this region. The WATT's reflex-port tuning frequency is revealed by the impedance dip between 35Hz and 50Hz, though the high values of the impedance peaks either side of this "saddle" have implications for the crossover to the Puppy, as will be seen later. The two wrinkles in the…
Fig.6 Wilson WATT 5, vertical response family at 57", normalized to response on optimal axis, from…
Wilson Audio's WATT/Puppy 5.1 is the latest version of that long-time audiophile reference loudspeaker. What's involved in the change? The Puppy Tail—the wire connecting the high-pass outputs of the Puppy subwoofer to the WATT's inputs—has been replaced with a new cable, designed by Wilson to act as "a more perfect electrical interface." The system's list price has risen from $14,990 to $16,290; owners of the WATT/Puppy 5 can upgrade to 5.1 status for $695.
When I reviewed the WATT/Puppy 5 back in…
Designed mainly for military and test-equipment…
Despite its high profile in the Nu-Vista 300's very name, the Nuvistor tube is not the 300's main amplifying device. How many of the little guys do you think it would take to output 300Wpc into 8 ohms---or 600 into 4, or 1000 into 2? Instead, the Nuvistors are used as drivers for what the literature describes as "ultra-low-noise, super-matched pairs of bipolar [output] transistors."
If your familiarity with Musical Fidelity products begins and ends with the "good for the money" budget-priced X series, leave your preconceptions at the speaker terminals---this is a very…
Despite their miserable measurements, low power, and apparent instability, the KR Enterprise VT8000s that I reviewed in November were a tough act to follow. I know, that sounds like "despite being dead, he's in pretty good shape." But I compared the two amps before and after the KRs figuratively fell off the test bench. The KRs are like an old brandy, while the Musical Fidelity is like an expensive, fiery tequila---clear and pure, with a rich kick. Choose your enlightenment.
I spent almost two months alone with the Nu-Vista 300. I don't care if you get a…
The Musical Fidelity Nu-Vista 300 will probably soon become a collector's item. There are only 500 of them in the world, and when Audio Advisor's allotment of Nu-Vista 300s is gone, there will be no more; last time I checked, there were fewer than 90 left in stock. So if this review has whetted your audiophile appetite, you'd better get busy before it's too late.
But the amp's collectibility alone is not reason enough to buy it. The Nu-Vista 300 combines many of the best attributes of tube and solid-state power amplifiers. Its powerful high-current design is claimed to…
Analog source: Simon Yorke, Basis Debut turntables; Graham 2.0, Immedia RPM2, Simon Yorke tonearms; Transfiguration Temper Supreme, Crown Jewel SE, EMT TU, Lyra Parnassus D.C.t, Grado Statement phono cartridges.
Digital source: Audio Alchemy DDS•Pro CD transport, DTI•Pro 32 resolution enhancer, EAD DSP-9000 Mk.3 HDCD D/A processor.
Preamplification: Ayre K-1, Herron Audio VTSP preamplifiers; Audio Research Reference, Herron Audio VTPH-1 phono sections.
Power amplifiers: KR Enterprise VT 8000MK monoblocks.
Loudspeakers: Sonus Faber Amati Homage…