The second premiere was a redesign of the field-coil power…
The second premiere was a redesign of the field-coil power…
The highlight here was the Simco ONE loudspeakers ($15,950/pair) in their US debut, Rounding out the system was an Eversolo DMP-A6 Master Edition streamer/DAC ($1295), a VPI "In The Can" DD turntable ($15,500) equipped with a second tonearm, a Bokrand DZT SAK ($5895). Cartridges were a Miyajima Destiny stereo ($7750) and an Infinity Mono ($3550). Amplification was all Miyajima, an MC-2 tube head amp ($7950), a Wo-1 preamp ($21,750), and a pair of Model 2020 OTL amplifiers ($…
Some large-brained designers speak of measurements, specs, and stats as some kind of holy grail of hi-fi determination. I don't buy it. That's why I tag my usual vinyl- or gear-centric Instagram posts as #earsfirstaudiophile. We don't carry slide rules into our listening rooms—at least I don't (footnote 1).
As impressed as I was with Michael Vice, I…
Room 628 featured a Marantz AV7706 A/V processor ($3200) and Orchard Audio amplifiers including the Starkrimson Mono Ultra Premium ($2600) and Starkrimson 25 Mono Premium ($1250).
SVS speakers and subwoofers were in ample supply, including the Ultra Evolution Tower ($1500), Ultra Evolution Center ($800), Ultra Evolution Nano ($450), Ultra Evolution Elevation ($450), and SB-5000 R|Evolution subwoofer ($1800…
Roberts's CAF room sounded excellent. His system included a WiiM Ultra configured in bit-perfect mode as a dedicated music server with a Teddy Pardo Audio external power supply ($945); a Mojo Audio Mystique Z DAC ($11,000); and a Cary Audio SLI-80 integrated amplifier ($5495) driving a pair of newly revised Volti Audio Vittora loudspeakers ($50,000/pair). Cabling was from Triode Wire Labs.
The Vittora is a three-way, fully…
JBL/D'Agostino/dCS/Clearaudio
My first stop was at the first showing of JBL's Summit Makalu loudspeakers ($60,000/pair). The speaker's name derives from…
Thirty years ago this month, I was playing bass guitar at a "gentlemen's club" in London's Charing Cross Road. Our trio provided second-rate music for third-rate strippers and fourth-rate comics to an audience drinking fifth-rate wine at first-rate prices, six days a week from 9pm to 3am, with two 30-minute breaks. The money was okay, and the work hadn't sounded too arduous when I'd responded to the classified ad in Melody Maker (now, sadly, defunct). But, as I was to find out, only one…
I Can't Give Everything Away is named after…