Let me tell you about Lars.
Lars is a Swede, long resident in the US, who has recently become correspondent for the Stockholm-based magazine Audio/Video. We do a lot of listening together.
I often show up at Lars's lair bearing the latest recording of Prokofiev's Alexander Nevsky. The "Battle on the Ice" takes on added excitement when heard on a system owned by a Swede.
"I'll bet you don't often hear this work performed in Stockholm," I say.
"I never did," says the good-natured…
"You've got that Krell on order. You paid for it. What are you going to do now that you like the B&K better?"
I was gleeful. This was exquisite, all the more so because Lars's discomfiture was completely unplanned.
"Well, the Krell should be even…
This $498 amplifier (footnote 1) has been around for quite a while, the first review—by the one and only JGH—occurring over five years ago. He liked it, as did Sam Tellig, the Audio Cheapskate/Anarchist (Vol.7 No.4, Vol.8 No.8, Vol.10 No.7, Vol.12 No.4). It incorporates class-A pre-driver circuitry driving a class-AB output stage (this using, unusually in view of the specified power, just one pair of complementary MOSFETs per channel). A large toroidal transformer coupled with 34,000µF of capacitance serves as the…
I got hold of the sample of the B&K ST-140 also reviewed by Guy Lemcoe last month (S/N 5506), which had been purchased by Stereophile. This amp has been highly recommended in the past and offers a benchmark performance at the NAD's approximate price level (though the latest version is somewhat different from the previous sample owned by the magazine).
The system I used with this amplifier is hardly representative of one in which it'll be used, but as I'm familiar with the sound of every component, I…
The only variable in these listening tests was the particular amplifier under evaluation. All other system components remained constant, with the exception of the loudspeaker: I wanted to listen to each of the amps on both electrostatic and dynamic speakers. My Acoustat Twos satisfied the former need; a pair of Spica TC-50s took care of the latter. My front-end consists of the VPI Mk.II with an ET-2 arm/Talisman S combination. Tracking force is set at 1.8 grams, and loading at the preamp is 100 ohms. Straight Wire Maestro interconnect links TT and preamp…
The B&K ST-140 exhibited some strange behavior on the test bench. It had no problem driving an 8 ohm load, delivering 115.3W (20.6dBW). Driving 4 ohms, however, proved to be too much of a challenge. When the amplifier was driven hard into 4 ohms, its distortion increased due to the waveform becoming flat on the negative voltage swing. It finally went into a runaway condition, its distortion increasing and finally going into LF oscillation (fig.1). This condition occurred well below its clipping point. It was thus impossible to measure its continuous…
Description: Solid-state stereo power amplifier. Output power: 70Wpc into 8 ohms, 20Hz-20kHz (1984); 105Wpc into 8 ohms (20.2dBW) 105W into 4 ohms (17.2dBW), both continuous power, 5Hz-45kHz, with 0.09% THD (1989). Dynamic headroom: 3.2 dB (1984). Frequency response: 3Hz-70kHz ±3dB (1984). Input impedance: 24.3k ohms (1989). Sensitivity: 1.1V for full output (1984); 120mV for 1W (1989).
Dimensions: 19" W by 6" H by 15" D. Weight: 25 lbs.
Serial number of review sample: 5506 (1989).
Price: No longer available (2002); $395 (1984); $440 (1987); $498 (1989…
Peter Belt is a person—a likeable Englishman, and seemingly anything but a wild-eyed crackpot, even though his grasp of basic physics seemed to be rather shaky. (I met him and talked to him at some length.) But, you see, he has this...how should I put…
"In the Mood," from The Carnegie Hall Jazz Band (CD, Blue Note 36728), was another good example of the Airfoils' slightly soft perspective. The trumpets…