Description: four-way loudspeakers with powered, servo-controlled woofer. Drive-units: two 1" round ribbon tweeters, one 5.5" titanium-cone midrange driver, one 6" aluminum-cone midbass coupler, three 8" metal-cone woofers. 500W G-SAT switching amplifier for the bass drivers. Crossover frequencies: 95Hz (adjustable), 300Hz, 3.6kHz. No frequency response, impedance, or sensitivity specified.
Dimensions: 44" H by 11" W by 22" D. Shipping weight: 242 lbs/pair.
Serial numbers of units reviewed: 550121, 550122.
Price: $11,500/pair. Approximate number of…
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Sidebar 1: Specifications
Sidebar 2: Associated Equipment
Analog source: Heybrook TT2 turntable, Rega RB300 tonearm, Koetsu Black/Gold phono cartridge.
Digital sources: Audio Alchemy DDS•Pro/DTI•Pro 32/DDE V3 with Audio Magic I2S cables, California Audio Labs CL-20 DVD/CD player, Burmester 970/969 transport/DAC.
Preamplifiers: Klyne 6L3.3P, Sim Moon P-5, Sonic Frontiers Line-2, Line-3.
Power amplifiers: Bryston 7B-ST monoblocks, McCormack DNA-1, Sim Moon W-5, Sonic Frontiers Power-2.
Cables: Interconnects: Cardas Cross and Golden Cross, Straight Wire Virtuoso, JPS Superconductor Super-2 Balanced.…
Sidebar 3: Measurements
The well-finished Genesis is quite sensitive, at an estimated 89.2dB(B)/2.83V/m. To judge from its plot of impedance magnitude and phase against frequency (fig.1), however, it needs to be driven by an amplifier capable of healthy current delivery. With an average impedance of around 3 ohms and a minimum of 1.73 ohms between 400 and 500Hz, where much of music's power is concentrated, the 500 makes extreme current demands on amplifiers.
Fig.1 Genesis 500, electrical impedance (solid) and phase (dashed) with controls at recommended positions. (2 ohms/…
This suckout can also be seen in the speaker's response averaged across a 30 degree window on the tweeter axis (fig.4), which is a reasonably high 42" from the floor. It looks suspiciously like an acoustic cancellation problem, perhaps from the dipole loading of the midrange unit. I note that KR did find the speaker's balance laid-back; this behavior might well be the cause.
Fig.4 Genesis 500, anechoic response on tweeter axis at 50", averaged across 30 degrees horizontal window and corrected for microphone response, with the complex sum of the nearfield woofer, midbass coupler,…
Below 1kHz, the on-axis notch actually increases in frequency well to the speaker's sides, but is joined by another notch an octave lower. Again, this off-axis behavior will tend to make the speaker sound laid-back, or even colored in very reverberant rooms. In the vertical plane (fig.8) the 800Hz notch is ubiquitous, other than at angles lower than 10 degrees below the tweeter axis. But other than that and the tweeter's limited top-octave dispersion, the balance doesn't change very much with listener height. Only when the listener is standing does a classic crossover notch develop, revealed…
The step response on the axis of the rear-facing tweeter (fig.11) shows that the rearward radiation is indeed 180 degrees out of phase with the Genesis' forward radiation—in other words, dipole behavior. But note that, because the rear radiation in the midrange comes from the front-mounted drive-unit cone and not from a separate unit, as with the tweeters, this follows the HF output by about a millisecond. This is not relevant to the speaker's perceived sound quality, however; these outputs will be well integrated by the room acoustic by the time they reach the listener's ears. Note that the…
I just love hearing about cheap tweaks sent in by our readers. Here's a corker from Tony (StorybookWeaver@aol.com):
"Greetings Jonathan! I own a music store and audio is my hobby. I repair and mod all kinds of tube stuff. Anyway, I'll pass this tweak on to you now, like I should have done 10 years ago! There's a product I and other music stores stock called Moongel, which is used on drumheads to tweak out the overtones. It works great when placed toward the rim of the head. It filters out the harmonics and leaves the fundamental. It's a curious substance that sticks to a wide variety of…
I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a Stereophile show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/…
Where the Paradigms did not fail was in their ability to throw as big a soundstage as the Revels, and in the inaudibility of their crossover transitions. Taken by themselves, the Paradigms did an impressive and musically satisfying job. If I couldn't afford better and more costly speakers, I could live happily ever after with the 60 v.3s as the speakers in my two-channel listening system.
I then trucked the Paradigms up to Connecticut, to audition them in a different acoustic and to hear how they worked as part of a multichannel setup. Much as I like to describe a component's inherent…
Sidebar 1: Specifications
Description: 2½-way reflex-loaded, floorstanding loudspeaker with front and rear ports. Drive-units: 1" aluminum-dome tweeter, 7" mica-polymer-cone midrange/bass unit, 7" polypropylene-cone woofer. Crossover frequencies: 500Hz (7" polypropylene cone only), 2kHz. Crossover slopes: 12dB/octave electro-acoustic network. Frequency responses: 46Hz-22kHz, ±2dB (on axis); 46Hz-20kHz, ±2dB (30 degrees off axis). Low-frequency extension (DIN 45 500): 30Hz. Noninal impedance: 8 ohms. Sensitivity: 91dB/W/m (room), 88dB/W/m (anechoic). Recommended amplification: 15-200W.…