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Paradigm exhibited its new Prestige 1000SW, 12" Subwoofer. Priced at $2999, the subwoofer uses a single 12" brushed-aluminum, high-excursion X-PAL driver in a sealed enclosure which is driven by a class-D, 1000W RMS (1700W peak) amplifier. Paradigm employs a special woofer surround material, an overmolded Active Ridge Technology (ART), which is crafted from injection-molded thermoplastic elastomer. The surround material allows for linear motion in both directions, which is claimed to allow the subwoofer to play 3dB louder at half the distortion.
PSB Speakers was exhibiting a new bass-reflex subwoofer, the SubSeries (SS) 450, which will be shipping in April 2016 at a suggested US price of $1499. The driver features a 12", woven-fiber-glass cone. The subwoofer employs a 450W class-D amplifier, a built-in 4th order, continuously variable low-pass filter. The subwoofer was on exhibit and not playing.
REL Acoustics was displaying their new S/5 SHO 12" subwoofer at CES. Like other S-Series subwoofers that came before, the S/5 has a forward-facing, 12" active driver and a 12" passive downward-firing passive driver. The S/5 can be driven wirelessly, and employs the 3-stage, low-noise "limitless" electronics for a wide-dynamic range and increased power output.
It was not playing when I visited the REL Acoustics room. Wireless use involves a receiver box, shown sitting atop the S/5 SHO in the accompanying image.
Because the total 6-pack sets one back $24,000, I asked REL Acoustics' David Schultz if there might be a "Six-Pack light" version. Yes, he replied, we have the "poor man's six-pack," the REL Acoustics 212SE. Wireless-capable, the almost-70 lb, 212-SE sealed-cabinet enclosure stands 20" tall and uses two active 12" and two passive 12" drivers, all powered by the 1000W RMS class-D internal amplifier with a new low-noise 3-stage input circuit.
Though the silver bars that run along the sides of the enclosure look like handles, they serve to reinforce the cabinet and dampen vibration. Rather…
I ran into REL Acoustics' highly eloquent John Hunter on the way to the Venetian Towers, and he suggested I come by to hear the REL Acoustics "Six Pack." As it turned out, this was not a San Francisco microbrew special, or well-developed abdominal musculature, but twin towers of 3 stacked, (84 lb each) REL Gibraltar-2 subwoofers ($4000 each) set between two full-range Rockport Avior loudspeakers.
Thiel's new Intellisub was the highest-tech new subwoofer I encountered at CES 2016. It uses wireless control with convenient SmartSub app, which allows the user to control its digitally-processed, Auto-Room correction software. Rory Buszka, Thiel's engineer, explained that the built-in SmartSubXT system automatically adjusts its output based on measurements from 1–40 locations in the room.
The new Thiel sub is a 90 lb, sealed system, housed in a medium-sized curved enclosure finished in rosewood, espresso walnut, high-gloss black, or high-gloss white. It employs a 12" aluminum-coned long…
I made my way from the main 2016 High-End audio exhibits at the Venetian Hotel over to the Harman exhibit at the Hard Rock Café. I was immediately captivated by a JBL Everest horn-loaded floorstanding speaker, its enclosure finished in an almost neon lipstick red, and its front baffle in brilliant silver.
Jim Garrett, Harman's Director of marketing and project management, smiled knowingly. He noticed that I was struck by this loudspeaker's "eye candy." He told me that the enclosure's finish was "Ferrari Red." At $90,000/pair, the speaker's visuals and the price tag reminded me of the…
Bang & Olufsen celebrated its 90 years of existence by releasing a $75,000/pair loudspeaker that had been 12 years in design. Geoff Martin, Bang and Olufsen's Tonmeister and Technology Specialist in Sound Design, played an instrumental role in bringing the Beolab 90 from its origin as a blue-sky project at the Danish University.
Initially, the speaker was configured as a large barrel, 2 meters high, that used 24 drivers, 24 channels of amplifier power, and 24 channels of digital signal processing (DSP). As the project progressed, it was moved to Bang and Olufsen's development facility…
[Note: click here for background on this project and here for how we set up the equipment.]
I'm grouping these two rooms together since we didn't listen to Graham Nash's album in either one, but rather had each host pick something out. We were getting behind schedule, so the idea was to expose Nash to some completely different speaker technologies back to back and see what he thought.
In the Constellation room, host Irv Gross made a bee-line for Graham and exclaimed that he still had his 45 single of The Hollies' "Look Through Any Window". Nash then proceeded to tell the story…
[Note: click here for background on this project and here for how we set up the equipment.]
Graham Nash seemed to know right away that these were the guys that provided the guts for his buddy Neil Young's Pono player and wanted to know all about it. After all, there is a version with Nash's signature on it.
L-R Ayre's Brent Hefley and Alex Brinkman discuss Pono with Graham.
Nash is one of the most curious people I know, so is always asking questions. In fact, pretty much every time I've met up with him (or Stephen Stills and David Crosby for that matter) the…