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When the presentation turned to audio, Sony's Michael Fasulo referred to consumers' desire for "an even better listening experience," and that this was illustrated by the progression from LP to compact cassette, and then to CD, and to MP3. I must admit that I was taken aback by this statement. These changes in recorded music media may well represent a search for increased convenience, but few audiophiles would argue that a change from LP to compact cassette or from CD to MP3 represents "even better listening experience."
But there is evidence for Sony's commitment to sound quality in their support of Hi-Res audio. Fasulo reported great interest on the part of major record labels in higher quality recording technology, a need that is met by Sony's development of Hi-Res audio.
On the consumer side, Sony introduced at CES the PS-HX500 Stereo Turntable System. It can play LPs (Sony's nod to the resurgence of interest in vinyl) in "high audio quality," and allows the recording of LPs in Hi-Res, presumably DSD, up to 5.6MHz. The turntable features a "newly developed Sony straight tonearm." The PS-HX500 on…
Delta flight 2820: At 497mph the ambient noise in the cabin averaged 94dB and registered 101dB peaks. That is at least 40dB louder than a candlelit night in my listening room. Artur Schnabel brings it up to (at most) 90dB and the loudest I have ever played Led Zep on the Magnepan .7s is 102dB. Now, I can't wait to rinse that crazy engine noise from my ears and hear some clean clear beautifully toned hi-fidelity music at maybe 103dB—or more! But these clear-sounding components must be moderately priced—because I am a cub reporter and new products that cost less than $5k is the assignment I…
The reemergence of Technics on the world audio scene is, I believe, the biggest audio news of 2015–2016. I reviewed their SB-C700 stand mounted monitor speakers in the January 2016 issue and they already feel like my 2016 nomination for Stereophile's Product of the Year; but obviously it is still way early. Nevertheless, Technics is back with two lines of stylish excellent sounding equipment: a Reference R1 Class Series which will be described by my associate Jason Victor Serinus; a Premium Class System that can be purchased with the SB-C700 speakers I reviewed, an integrated amp that I loved…
Which lines took longest to traverse, the one snaking round and round at the CES registration booth in Las Vegas’s Maccarran Airport, the ridiculously long one at the lost baggage counter at Southwest Airlines, or those at hotels on the strip that were overwhelmed by late night arrivals? I certainly know which moved faster.
Which leads to this photo. As much as it may look rather placid and fantasy like, it also reveals surprisingly light evening foot traffic in front of the Venetian hotel. Perhaps some of the drop in attendance had to do with the fact that on January 5, when so many…
With my assignment high-priced amps, preamps, loudspeakers, and turntables, I started off by heading to the big rooms in the Venetian Tower. First up was the Esoteric–Cabasse room, where Esoteric was showing the latest incarnations of its “2” series, the Tokyo-made C-02X stereo line-stage preamplifier and S-02 stereo amplifier ($20,000 each). In a classic case of “trickle-down engineering” (which actually works, while trickle down economics rarely does), the preamp uses the same dual-layer supercaps as in the Grandioso ($40,000). It’s a fully balanced design, with a separate volume control…
His name was Thom Pahmer and he broke all my rules: It was 10am the first day of the show and I walked in to his empty room, I introduced myself, "Good morning. My name is Herb Reichert and I covering the lower cost part of the High End for Stereophile—and I am especially interested in stand-mounted speakers." Mr. Pahmer looked at me crossly and said, "These are NOT stand mounted speakers!" I pointed at what I thought was a stand and he says, "The speakers are bolted to them—it is all one unit." I asked about the retail price and he told me, $5500/pair.
Moving on, I asked if he had any…
Germany's T+A introduced the DAC 8 analog to digital converter and preamp a couple years back as a compact and sportier version of its pricier siblings. New this year is the addition of a dedicated DSD processing section, new upgraded volume control and headphone amplifier.
I've always loved the way T+A builds their products, and the DAC 8's compact and clean design is one of my favorites. The show photo here does not do it justice. The product was sitting in a static display, so I did not play with it or listen, but T+A's always affable Jim Shannon explained the basics. Inside are…
1500–1600 parts, 14 circuit boards including six input boards . . . that's just the start of what gives Pass Labs' top-of-the-line XS Phono stage ($45,000) the right to the "excess" moniker.
It's a while back that Nelson Pass told veteran preamp designer Wayne Colburn (above), "Do whatever you want." The end product, now shipping, includes a gold-plated ceramic input boards, a helluva lot of vintage Toshiba FETs, a dual-mono power supply, individual input cards for each input because standard input switching relays create noise, REL custom caps, and on and on. "I've been doing this since…
Now this was an interesting one. Just one room over from the expensive Constellation set-up sat extreme bargain-for-the-money Audio Alchemy, designed by the same man who oversaw Constellation's engineering, Peter Madnick. But since my beat was the high-priced spread, I turned from Audio Alchemy's great-sounding gear to the TAD CE1 loudspeakers ($24,000/pair), designed by Toru Nagatani (above).
Alas, neither Nagatani nor TAD CEO Yoshihiro "Al" Hirano speaks the best English. From what I could piece together—I really couldn't handle the entire, slow-moving slide show they wanted me to watch…