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At the other end of the continuum are speakers that are designed and built from the ground up,, using…
Signaling the start of a new era for high-end dealerships in Southern California, Friday night’s catered “soft” opening for existing clients and Saturday’s six-hour public open house were attended by enough major manufacturers, designers and distributors to have made possible a mini-…
The same applies to those audio designers whose craft has approached the level of art. The products of Ken Shindo, Tim de Paravicini, Jean Constant Verdier, J.C. Morrison, Junji Kimura, Don Garber, Denis Morecroft, and a handful of others have all elicited that response—yet none more than the late Hiroyasu Kondo. His Audio Note Ongaku amplifier of 1989 woke the world to a number of possibilities: that a successful…
Especially where preserving the texture and the tactile qualities of recorded sound is concerned, I persist in thinking that all moving-coil phono pickups sound best when loaded with a well-made and properly selected step-up transformer. Because the people of Kondo share that belief and design their phono preamplifiers accordingly, it was easy to begin my Kondo adventure by substituting their GE-1 for the phono preamplifier of my Shindo Masseto preamp, with my own Hommage T2 step-up transformer in place.
With my system thus configured, the tonal signature of the GE-1 was quite…
The Eight Worst Music/Youth Culture Magazines of All Time
8) Rolling Stone, for its list of the greatest musical artists ever
7) Rolling Stone, for its list of the greatest albums ever
6) Rolling Stone, for sucking up to Robbie Robertson
5) Rolling Stone, for its list of the greatest singles ever
4) Rolling Stone, for retracting negative reviews of albums by Dylan and the Stones
3) Rolling Stone, for its list of the worst band names ever
2) Rolling Stone, for firing Lester Bangs
1) Rolling Stone, for liking Bruce Springsteen just…
"Comin' At Ya" Exhilarating Sound!
I reviewed Lamm Industries' ML-3 Signature monoblocks in the…
Description: Solid-state monoblock power amplifier. Inputs: 1 single-ended (RCA), 1 balanced (XLR), 1 Constellation Direct (XLR). Outputs: 2 pairs binding posts. Rated power output (1kHz at 1% THD+N): 500W into 8 ohms (27dBW), 800W into 4 ohms (26dBW), 1000W into 2 ohms (24dBW). Voltage gain: 26dB (14dB, Constellation Direct). Frequency response: 10Hz–100kHz, +1/–0.5dB. Output noise: <70µV, 500kHz BW, –116dB ref. 250W. THD+N: <0.05% (1kHz at up to 90% of rated power). Input impedance: 200k ohms Constellation Direct and balanced, 100k ohms RCA unbalanced.…
Analog Sources: Continuum Audio Labs Caliburn, Cobra, & Castellon turntable, tonearm, & stand; Kuzma 4Point tonearm; Lyra Atlas, Ortofon Anna, Miyajima Labs Zero (mono) cartridges.
Digital Sources: dCS Vivaldi DAC, transport, clock, upsampler; BPT-modified Alesis Masterlink hard-disk recorder; Meridian Digital Media System; Pure Music software.
Preamplification: Ypsilon MC-10 & MC-16 SUTs step-up transformers; Ypsilon VPS-100, Thrax Orpheus phono preamplifiers; darTZeel NHB-18NS preamplifier.
Power Amplifiers: darTZeel NHB 458…