Signal Processors
A
DEQX PreMate D/A preamplifier/equalizer: $4995
In a field where, as KR puts it, "all automatic EQ systems conflate speaker correction with room correction," the DEQX PreMate stands out: In use, this DSP engine begins by measuring and analyzing the speakers—in exclusion of the listening room, to the greatest extent possible—then generates filters to correct frequency response, optimize time alignment, and, if desired, create a customized active crossover for that speaker. After that, the user can, if he or she wishes, completely discard the speakers'…
Recording Equipment
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Miscellaneous Accessories
AI Technology ELGR-8501: $160.75/1 oz
AI Technology's ELG-8501 is thermal grease made of more than 80% silver. JM uses a light smear on the mating surfaces of wall-wiring connections to prevent oxidation. He warns: "Never use any kind of silver paste on audio connections such as RCA plugs or amplifier speaker terminals." (Vol.36 No.10 WWW)
Audio Research Tube Damping Rings: $4 each ★
Damping rings for all AR products are now available to the public at large. They're made of a proprietary polymer material that converts kinetic energy to heat, and…
Interconnects
AcroLink 7N-DA2090 Speciale: $2375/1.5m pair
The less-than-snappily named 7N-DA2090 Speciale is technically laudable; commendably, AcroLink publishes the specs for this product's resistance (18milliohm/meter) and electrostatic capacitance (56pF/meter). It's made of 99.99999% pure multistrand copper, arranged in what AcroLink calls a "balanced twin core structure." According to MF, substituting the AcroLink interconnect for his TARA Zero Evolution "produced sharper but not unnaturally defined transients, shorter sustain and decay, and an overall well-detailed and more…
To those who consider it a magical place, it's no surprise that Paris brings out the best in jazz performers. It's some mysterious elixir between the legendarily appreciative crowds, the food, the wine The Tuileries Garden, and I could go on and on. But whatever the reason, Paris has been the site of more than a few wonderful live jazz recordings few as storied as Wes Montgomery, In Paris, The Definitive ORTF Recording.
It may surprise some that in the supposedly sophisticated world of jazz listeners, bootlegs are a widespread obsession. There are just as many, perhaps even more, jazz…
Having fun at Music Matters 13: Peter McGrath (Wilson), Josh Clark (Transparent Cable), and Stereophile's Jason Victor Serinus (photo, Peter McGrath).
Hailed as the finest public audio retailer event in the United States, Definitive Audio's 13th annual Music Matters event on March 8 drew a huge crowd to the store's Seattle location. Having now covered four Music Matters, I can state with certainty that the sound at MM13 surpassed that heard on previous occasions, and showcased equipment in the best possible light.
Everything looked ready as music lovers entered the 4-hour event as…
Back in October 2016, I was called to the table by Kal Rubinson when I heaped copious praise on Ivan Fischer's Channel Classics SACD of Tchaikovsky's Symphony No.6 in b, Op.74, "Pathétique." Now, after hearing Teodor Currentzis' devastating account for Sony of the Pathétique with Russia's MusicAeterna Orchestra, I understand the folly of my ways. Fischer's Budapest Festival Orchestra may play beautifully—the strings are especially lovely—but it is Currentzis who ensures that we understand how Tchaikovsky's struggle with his outsider status as a homosexual tore him apart, and may have driven…
Audio Vision S.F. 1628 California Street, San Francisco, CA 94109—at the end of our historical cable car line) are holding a free event Thursday March 22, from 7:30–10pm. Featured will be the Technics SL-1000R Reference Turntable System, electronics from Bel Canto, loudspeakers from YG Acoustics speakers, and Nordost power/cabling! There will be wine, beer, light nibbles, and some prizes as well! If you plan to attend, please RSVP to info@audiovisionsf.com or call (415) 614-1118.
Radka Toneff & Steve Dobrogosz: Fairytales: Original Master Edition (MQA)
Odin LP03 (original LP, 1982); Odin CD9561 (24-bit/48kHz MQA-encoded FLAC file; Tidal Masters stream; hybrid MQA-CD; original sample rate 192kHz; 2017). Arild Andersen, prod. (1982, 2017); Andreas Risanger Meland, exec. prod. (2017); Tore Skille, Tom Sætre, original engs.; Svein Vatshaug, Rune Sund Nordmark, recorder restoration; Thomas Baårdsen, Geir Iversen, digital transfer of original tapes; Morten Lindberg, Peter Craven, Bob Stuart, digital restoration; Erik Gard Amundsen, technical advisor. DAA (original…
Everything sounds like what it's made of.
I'm known for saying that, and to me, it's obvious: box speakers with dome tweeters sound like box speakers with dome tweeters. I can hear their tweeters calling to me when I'm in the next room, making a phone call. I can hear their boxes hissing and groaning even after I turn off the stereo. Many a day, I think Edgar Villchur, inventor of the acoustic-suspension loudspeaker and the dome tweeter, ruined audio, and that audiophiles will never stop denying how artificially colored the sounds of domes and cones in boxes really are.
One…
