Description: CD-R recorder with CD-rewrite capabilities and digital S/PDIF inputs/outputs (coaxial and optical). Recording: S/N Ratio: 90dB. Dynamic range: 95dB. THD: 85dB. Record sample rate: 44.1kHz for line input/output; 32–48kHz for coaxial or optical digital inputs (automatic sample rate conversion). Maximum analog input: 700mV RMS. Analog input impedance: 50k ohms. Playback: Frequency range: 20Hz–20kHz. S/N Ratio: 105dB. Dynamic range: 98dB. Line output voltage: 2V RMS. Power consumption: 15W. Operating temperature: 5–35°C.
Dimensions: 17" (435mm) W by…
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Tuesday–Thursday, August 21–23, 7:30pm: In celebration of John Cage’s 100th birthday, The [kāg] ensemble will perform Kevin James’s 100 Waltzes for John Cage at the DiMenna Center, Mary Flagler Cary Hall (450 West 37th Street, New York).
Inspired by Cage’s 49 Waltzes for the Five Boroughs, for which a score was created by randomly selecting 147 locations on a…
Not to be confused with the 1968 coffee house folk song by Tom Parrott (recorded for Smithsonian Folkways), this chug n’ shred burner is a psycho reflection of late 60s NYC East Village hippie idealism slayed and splayed in an Avenue B tenement boiler room. Groovy was the boy born James Leroy Hutchinson from modest American means and Linda was Linda…
*****
I was recently reunited with an old friend from high school. My best friend from high school, in fact. Our families got together, everyone got along, and as the dust of conversation settled toward the rug of companionable silence, talk turned to work. And when the inevitable happened, and my old friend and his wife—classical-music lovers both—asked how much a person had to spend these days in order to get a good music system, I answered their question with a question—a question that, crazily enough, just popped into my head:…
Anita Johnson, soprano; AnnMarie Sandy, mezzo-soprano; Chauncey Packer, Robert Mack, tenors; Edward Pleasant, high baritone; Darren Stokes, Frank Ward Jr., basses; others; Paragon Ragtime Orchestra and Singers, Rick Benjamin
New World 80720-2 (2 CDs). 2012. Judith Sherman, prod., eng. DDD. TT: 99:06
Performance ****
Sonics *****
The great ragtime composer Scott Joplin had grander ambitions than just the magnificent miniatures for piano he's famous for. When he died, in 1917, he had spent much of the previous 10 years polishing and campaigning for his…
Today, Danny Kaey has…
Considering all the technical attention ADAM has lavished on their X-ART drivers, it was interesting that my attention was first drawn to the low end of the audioband. The extreme bottom end was extremely detailed and extended. A classic test track, "Cosmic Hippo," from Béla Fleck's Flight of the Cosmic Hippo (CD, Warner Bros. 26562-2), offered a good demonstration of the Column's bass. The first verse usually sounds full and deep through most competent systems, but in the second verse the bass line is an octave deeper, which often results in a significantly more woolly…
Description: Three-and-a-half-way, reflex-loaded tower loudspeaker. Drive-units: X-ART ribbon tweeter, X-ART ribbon midrange, two 7.5" (186mm) HexaCone woofers. Crossover frequencies: 150, 800, 2800Hz. Frequency range: 33Hz–50kHz. Nominal impedance: 4 ohms. Sensitivity: 90dB/W/m. Power handling: 200–300W.
Dimensions: 47.5" (1205mm) H by 9" (230mm) W by 12" (300mm) D. Weight: 70.5 lbs (32kg).
Finishes: Gloss Black, Cherry, Walnut.
Serial Numbers of Units Reviewed: H-06021, H-06022.
Price: $7000/pair. Approximate number of dealers: 12. Warranty: 10…
Digital Sources: Sony XA-5400ES SACD/CD player, Oppo BDP-95 universal Blu-ray player.
Preamplification: Meridian HD621 HDMI audio processor & 861 Reference v6 digital surround controller, Bryston SP-3 surround processor.
Power Amplifiers: McIntosh MC303 (three-channel); Bel Canto Design REF1000 Mk.II, Anthem Statement M1 (both monoblocks).
Loudspeakers: Aerial Acoustics 7T, Bowers & Wilkins 800 Diamond.
Cables: Digital: Black Cat Veloce. Interconnect: van den Hul Flat 180 HDMI, AudioQuest Vodka HDMI & Cheetah/DBS balanced.…