Now 38, divorced, a mom of three and dating a 26-year old musician, Chambers is back with…
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Fifteen years ago, Kasey Chambers was quite a story: A 25-year old Australian backwoods girl who grew up in a hippie/vagabond family that hunted foxes, knew their Johnny Cash and Hank Williams and lived in the wild for most of the year. When she launched her solo career in 2000, and became an Americana star in the USA with the release of The Captain, her songwriting ability, her Dolly Parton-meets-Lucinda Williams voice and a sagely, at times sepia, worldview all seemed fresh and beyond her years.
In a major plus for the accessibility of classical music on the web, Google Play Music recently launched its Classical Live initiative. Through an exclusive contract with five major symphony orchestras—Boston Symphony Orchestra and new Music Director Andris Nelsons, The Cleveland Orchestra and Music Director Franz Welser-Möst, London Symphony Orchestra and Sir John Eliot Gardiner, New York Philharmonic and Music Director Alan Gilbert, and Royal Concertgebouw Orchestra of Amsterdam and Music Director Mariss Jansons—the organizations will offer live recordings for download and streaming…
I ran across the poster above in Canada HiFi magazine: an announcement of the launch of a new audio store with an evening of vinyl playback. Located in the town of Orangeville, Ontario (population 30,000, about an hour's drive from Toronto), the store, with the intriguing name of Aardvark Boutique Audio, hadn't opened yet, but the event, taking place in the Orangeville Opera House, promised "Canadian Musicians On Vinyl—In Amazing Hi Fi Sound." I had to go and check it out.
When I got to Orangeville, I went to the address of Aardvark Boutique Audio, and saw that the construction of the…
Alma Music and Audio (5759 La Jolla Blvd., La Jolla, CA 92037) will host a very special event on Saturday, July 18 and Sunday, July 19 at their retail showroom just north of San Diego. A host of audio luminaries will be there to demonstrate their products and answer questions including Dan D'Agostino of D'Agostino Master Audio Systems, Yoav Geva of YG Acoustics, Joe Kubala of Kubala-Sosna cables, Vince Galbo of MSB Technology, and Harry Lee and Sally Jeung of Aurender.
In an informal setting, the high end audio's luminaries will showcase not only their newest products, but also their…
Ayre's 20th-Anniversary edition of its MX-R monoblock stands proud on this 132-page issue's cover. Inside, John Atkinson finds it to be one of the best-sounding amplifiers he's auditioned, while Fred Kaplan enthuses over the sound of Simaudio's Moon Evolution 860A amplifier and Jon Iverson finds much to enjoy with Rega's affordable DAC-R. Loudspeakers from Wilson Benesch, Falcon, and Magnepan are reviewed, with the littlest, cheapest Maggie earning the highest praise from Herb Reichert.
"What's an audiophile?" asks Jason Victor Serinus in this month’s "As We See It" essay; Art Dudley…
Elgar: Orchestral Works
Falstaff, The Sanguine Fan, Fantasia and Fugue in c (transcribed from J.S. Bach), excerpt from The Starlight Express
London Philharmonic Orchestra, Sir Adrian Boult
Mobile Fidelity Sound Lab 2-501 (half-speed–mastered LP, pressed in Japan, 1981). Originally released as HMV ASD 2970 (LP, 1974). Reissued as EMI CDM 7 63133 2 (CD, 1989). Christopher Bishop, prod.; Christopher Parker, Stuart Eltham, engs.
Falstaff, The Sanguine Fan, Fantasia and Fugue in c (transcribed from J.S. Bach), excerpt from The Starlight Express
London Philharmonic Orchestra, Sir Adrian Boult
Mobile Fidelity Sound Lab 2-501 (half-speed–mastered LP, pressed in Japan, 1981). Originally released as HMV ASD 2970 (LP, 1974). Reissued as EMI CDM 7 63133 2 (CD, 1989). Christopher Bishop, prod.; Christopher Parker, Stuart Eltham, engs.
It's finally happened. Until now, every symphonic recording that has come along has been compromised to some extent by an indifferent performance or an…
A recent experience with two excellent loudspeaker systems and two of the top power amplifiers raised a question that has been cropping up more and more frequently these days: When one component sounds more toppish or more bassy than another, which one is really flat and which isn't?
The question arose this time in connection with some listening tests on a pair of FMI 80 speakers and a pair of IMF Monitor III speakers, using Audio Research Dual 75 and Crown DC-300A power amplifiers.
Both speakers, according to their manufacturers, had been designed to produce the flattest, most-…
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According to editor Jim Austin, “Whatever the medium via which audiophiles choose to enjoy their music — be it two-channel or surround-sound,CD, SACD, DVD-A, MP3, LP or whatever — you will be able to read about it and how to get the best from it in Stereophile."
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Paradigm is not a new name to US audiophiles, but the Canadian loudspeaker company hopes to increase awareness of its products with their Monitor series, all members of which incorporate a similar design philosophy and drive-units. Heavy and apparently massively constructed, the top-of-the-line Paradigm Studio Monitors ($1899/pair) are the first commercial loudspeakers to pass my way with provision for tri-wiring: three sets of terminals on the back of the enclosures provide direct links to the crossover segments feeding each separate driver (or drivers, in the case of the low end).
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When Cary Christie, Arnie Nudell, and John Ulrick founded Infinity Systems more than 25 years ago, high-end audio as we know it today didn't exist. Hi-fi was audio, though the reverse wasn't necessarily true.
Through the growth years, Infinity became a major force in the High End. Cary Christie is the only one of the original players still associated with Infinity in 1995, now part of Harman International. His relationship, however, is now as an independent designer and consultant with Christie Designs, Inc. (footnote 1). I corralled him by phone on a clear fall day in Santa Fe, and a…