Description: Single-box CD player with digital inputs. Analog outputs: 1 pair single-ended (RCA), 1 pair balanced (XLR). Digital inputs: 1 USB (Type B), 1 S/PDIF (RCA). Input resolution, USB: up to 32-bit/384kHz. Input resolution, S/PDIF: up to 24-bit/192kHz. Digital input impedance, S/PDIF: 75 ohms. Output voltage, single-ended and balanced: 2.5V RMS. Output impedance, single-ended: 75 ohms. Output impedance, balanced: 600 ohms. Frequency response: 10Hz–50kHz, ±0.1dB. . Signal/noise: >95dB.
Dimensions: 17.6" (450mm) W by 4.5" (115mm) H by 17" (435mm) D…
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Sidebar 1: Specifications
Sidebar 2: Associated Equipment
Analog Sources: Garrard 301, Thorens TD 124 turntables; Abis SA-1.2, EMT 997 tonearms; EMT OFD 25 & OFD 15 & TSD 15 pickup heads; Denon DL-103, Miyajima Premium BE Mono II cartridges.
Digital Sources: Halide Designs DAC HD USB D/A converter; Apple iMac G5 computer running Audirvana Plus 1.5.12; Sony SCD-777ES SACD/CD player.
Preamplification: Hommage T2 step-up transformer, Shindo Laboratory Aurieges Equalizer Amplifier phono preamplifier & Masseto preamplifier.
Power Amplifiers: Shindo Laboratory Corton-Charlemagne monoblocks.
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Sidebar 3: Measurements
I measured the Metronome CD8 S with my Audio Precision SYS2722 system (see www.ap.com and the January 2008 "As We See It"). As well as using test signals on CDs, I tested the Metronome by feeding its coaxial input S/PDIF data from the SYS2722, and its USB input data sourced from a battery-powered MacBook Pro running Pure Music 2.0. The S/PDIF input would accept data sampled at all rates from 44.1 to 192kHz. Apple's US Prober utility identified the Metronome as "Combo384 Amanero" from "Amanero Technologies," and confirmed that it operated in the asynchronous mode.…
Ever since I encountered Wilson Audio Specialties' Peter McGrath (above) playing his own digital recordings at audio shows, hanging out in the Wilson Audio room has proven the consistent highlight of my show coverage experience. Where else could I have heard, on systems featuring, as well as Wilson speakers, superb components that frequently included gear from dCS, Spiral Groove, Lyra, VTL, Audio Research, Transparent, and Nordost, live, unreleased hi-rez recordings from the likes of pianists Benjamin Grosvenor, violinist James Ehnes, Anonymous 4, Jordi Savall and Hesperion XXI, the New World…
This Thursday evening, March 3, Definitive Audio (6206 Roosevelt Way NE, Seattle) celebrates its 40th anniversary with a four-hour Music Matters extravaganza filled with top-level product debuts and celebrity designers. The 5pm–9pm event, complete with rotating 20-minute presentations and lots of food and refreshments, promises the world debuts of the Bowers & Wilkins 800 D3 loudspeaker, the Wilson Audio Alexx loudspeaker, and the Dan D'Agostino Progression Series electronics.
Also on hand will be the Audio Research Reference 6 preamplifier and Reference phono 3, Classé Audio Sigma…
Blackstar has been called David Bowie's "death album" (several of its songs allude to death, he died of cancer two days after its release), but that makes it seem like a grisly novelty number when, in fact, it's a masterpiece—and, for purposes of this blog, a work of jazz-rock fusion that, unlike many stabs at the genre, truly fuses the two idioms, staying true to both, creating something new in the process, rather than watering them down in a muddy swamp.
The album is a dense kaleidoscope of sonic effects, eerily layered, unflaggingly propulsive—on the ballads, it's breathtakingly lovely…
Hey, why have a blog if you can't plug your own wares now and then? Today, March 1, is pub date for my new book, Dark Territory: The Secret History of Cyber War (Simon & Schuster). John le Carré calls it "a book that grips, informs, and alarms, finely researched and lucidly related." The New York Times hails it as "an eye-opening history . . . a page-turner . . . consistently surprising." Kirkus Reviews describes it as "important, gripping, disturbing."
You can find a synopsis here. So what are you waiting for? Buy your copy today.
End of self-aggrandizing announcement. Back…
Thursday, March 3, 6:30pm–8:30pm, Adirondack Audio & Video (340 East 57th Street, Suite 1D, New York City) and Saturday, March 5, 2pm–5pm, Value Electronics (35 Popham Road, Scarsdale) will be hosting the first public demonstrations of Technics' highly-anticipated SL-1200GAE turntable. At both events, Bill Voss, US Business Development Manager for Technics, will be demonstrating and discussing not just the SL-1200GAE but also the new G30 Series network audio amplifier, the new Ottava executive table-top system, and the new EAH-T700 premium headphones, as well as Technics' existing C700…
For a growing number of people, music is free, or virtually so. If you don't want to deal with ads, $9.99 a month buys you unlimited, ad-free access to millions of tracks. At least at present, streaming from services like Spotify, YouTube, and Pandora is where music consumption is headed—and it's really all that most people want.
You and I are different. We collect music, and care about the quality of our listening experience. We care because listening to music is something we do while not doing anything else. This makes us: a) an increasingly rare species, b) not content with lossy…
I'm a jazz lover. To be specific: I'm a lover of jazz on vinyl. I'm referring not to my sexual proclivities but to 331/3rpm LPs from such venerable labels as Blue Note, BYG Actuel, Contemporary, ECM, ESP-Disk, Impulse!, Prestige, and Riverside. Nothing hits the sweet soul spot of this former jazz drummer and devout jazz head harder than Tony Williams's riotous ride-cymbal beat, Hank Mobley's carefree tenor-saxophone shouts, Charles Mingus's gutbucket double-bass maneuvers, or Bill Evans's haunting piano explorations. Jazz and vinyl both may constitute narrow slivers of music sales, but…