The Metaphor 2 will go loud with only a few watts of input power, my B-weighted measurement confirming the specified 91dB/2.83V/m. It is a moderately demanding load for the partnering amplifier, however, as can be seen from its plot of electrical impedance magnitude and phase against frequency (fig.1). The impedance drops below 6 ohms through the midrange and reaches 3 ohms in the mid-treble. Tube amplifiers are best used from their 4 ohm output transformer taps. The reflex port tuning for the twin woofers is revealed by the impedance saddle at 39Hz. A couple of…
search
Sidebar 3: Wes Phillips chats with Metaphor's Bill Peugh
Wes Phillips: How did Metaphor come about?
Bill Peugh: I made a conscious decision, while I was in college, that this was the industry I wanted to work in. That's how I made my living for the next 17 years: first selling hi-fi for Peter McGrath, and later as Director of Marketing for IAT, which distributed Goldmund in this country.
Karl Shuster worked with me at IAT. When it ceased to exist, we were practically forced to start our own business. Being pragmatic, I looked at high-end audio and saw that there were three…
Sidebar 4: Specifications
Description: Three-way ported dynamic loudspeaker. Driver complement: one 1" hemispherical-profile, titanium-dioxide–coated titanium-cone tweeter; one 6.5" multilayered composite-cone midrange unit with cast-alloy frame; two 7" semi-exponential profile, multilayered, composite-cone woofers. Crossover: three-way with varying slopes, using low-inductance parallelled metal-film or metal-oxide resistors, polypropylene-film or film-and-foil capacitors, OFC air-core inductors, one Feron;r–core inductor. Cabinet construction: layered MDF of differing shapes and…
What's your favorite record? It's a simple enough question, but one that dedicated music consumers never tire of asking each other. And so, every year, we ask the distinguished writing staff of this magazine to choose a pair of favorites and tell us a little of what seems so compelling about them. Oddly enough, most writers never choose the same record twice—though one did choose the soundtrack album for Casper three years running! Music in any recorded format is fair game, the only restriction being that it must still be available, if only in the deep, dark recesses of the Internet. Of…
David R. Adler
Julian Lage: World's Fair
Julian Lage, acoustic guitar
Modern Lore 99767 (CD). 2015. Julian Lage, Matt Munisteri, prods.; Armand Hirsch, eng. DDD. TT: 37:56
At 26, Julian Lage sat down with his 1939 Martin 000-18 and mostly original compositions and delivered one of the great albums in the chronicles of solo guitar. From the speedy intricacy of "Peru," "Gardens," and "Missouri" to the contemplative beauty of "40's" and "Day and Age," Lage set the bar high for personal expression and unforced assimilation of influences. Echoes of folk,…
Brian Damkroger
Pachelbel & Fasch: Orchestral Works
Pachelbel: Canon in D, Suites for Strings in B-flat and G. Fasch: Trumpet Concerto in D, Symphonies for Strings in G and A.
Maurice André, trumpet; Pierre Pierlot, Jacques Chambon, oboes; Jean-Franáois Paillard Chamber Orchestra, Jean-Franáois Paillard
Musical Heritage Society MHS 1060 (LP), Erato 98475 (CD). 1968/1995. Michel Garcin, prod.; Guy Laporte, eng.; Ysabelle Van Wersch-Cot, mastering. AAA/ADD. TT: 53:15
Like everyone else, I got this album for something like a dollar by joining the…
Jon Iverson
Cracker: The Golden Age
Virgin 8 41498 2 (CD). 1996. Dennis Herring, David Lowery prods.; Joe Chiccarelli, Wayne Cook, others, engs. ADD? TT: 48:17
This one was supposed to be the major-label breakthrough for Cracker, but alas, it whistled right past the target. Nonetheless, it has stood the test of time, for being both a demo-worthy recording (in spots) and full of great songs. "Big Dipper" and "Dixie Babylon" stand out as great-sounding, crunchy, hippie country blues numbers, nestled between more aggressive outings that cash in on the 1990s'…
Sasha Matson
Shirley Horn: Here's to Life
Shirley Horn, vocal, piano; Johnny Mandel, arr.
Verve 314 511 879-2 (CD). 1992. Johnny Mandel, prod.; Al Schmitt, eng. AAD? TT: 62:00
Here's to Life has been a continual part of mine since its release, in 1992. Shirley Horn was a mature artist when this long-planned collaboration with composer and arranger Johnny Mandel finally came to fruition. It was a match made in heaven. Horn's deep mezzo is surrounded by exquisite arrangements and world-class orchestrations. The sound is beautiful, thanks to Al Schmitt's…
Robert Schryer
Frank Zappa: Apostrophe (')
Zappa ZR 3851-1 (LP). 1974/2014. Frank Zappa, prod.; Steve Desper, Terry Dunavan, Barry Keene, Bob Hughes, Kerry McNabb, engs. Mastered directly from the original ½" analog master tapes. ADA. TT: 32:02
Evidence suggests that what Frank Zappa feared most was to create music that might be classified as easy listening. No surprise, then, that Apostrophe ('), a straight-ahead rock record by Zappa standards, became his biggest-selling US release. This doesn't mean it's watered-down Zappa; to quote his son Dweezil,…
Tom Waits singing the blues classic, “John The Revelator?” Call that a perfect match of material and menacing growl. While Son House, among many others, was able to raise a storm of emotion and record a powerful version of that classic blues number, Waits' version on a new tribute to its composer Blind Willie Johnson is right up there with the best. It’s also a good reason to avail yourself of a copy of God Don’t Never Change, the new collection of tracks celebrating Johnson's music.
The final product of a process I wrote about in the April 2015 issue of Stereophile, this long-time comin…