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(All prices are in Canadian dollars unless otherwise indicated.)

Quebec-based DR Acoustics is a relative newcomer to the audiophile scene, but the company been making headway lately with its line of cables and AC conditioners. Many exhibitors at this year's show were exhibiting with the company's products, and Classé Audio chose DR Acoustics cabling to use inside their amplifiers.

In a demonstration presented to a cluster of seated onlookers that included me, a representative of the company plugged a run-of-the-mill orange power cord into a Monster Entech Power Line…

(All prices are in Canadian dollars unless otherwise specified.)

I was surprised by the sound quality I heard in the Nation Imports room. Here was a relatively compact system that cost quite a bit less than most systems I heard at the show—yet not only did it hold its own against more expensive fare, in some areas, such as imaging, definition, and the portrayal of female vocals, it beat it. I'd even say that this system's overall presentation was better balanced than most; it sounded well put together and glitch-free. The sound had a nice sense of touch, it wasn't harsh, and it…

(All prices are in Canadian dollars unless otherwise indicated.)

Rooms by distributor Motet always sound great, and this room, belonging to Motet and retailer Audio Présence, was no exception. Feeding a pair of attractively stocky PMC MB2S passive speakers ($45,000) was a Lumin P1 network music player ($16,000) and a trilogy of Accuphase electronics: the DAC DC-1000 ($25,000), the C-3850 preamp ($35,000), and the 100Wpc class-A A250 monoblocs ($25,000 each). Modulum racks and XLO cabling were used throughout.

This system's sound was big, well-organized, and free flowing…

(All prices are in Canadian dollars unless otherwise indicated.)

The Lemay Audio room comes with a sweet story and a giant killer.

First, the sweet story: François Lemay, Tenor Audio founder and now owner of Montréal manufacturer-retailer Lemay Audio, remembers the moment vividly, even though it happened nearly 50 years ago, when he was a budding audiophile in his early twenties. "I was shopping for speakers when I heard my first pair of Dayton-Wright electrostatic loudspeakers," François told me. "They were incredible, like nothing I'd ever heard, and I promised myself…

(All prices are in Canadian dollars unless otherwise indicated.)

I like how Yamaha, a brand not known for audiophile products, has, in the last few years or so, been making audiophile products. I find it flattering, in a Sally Field kind of way: "You care, Yamaha. You really care."

And by all the signs, they do. Several of the company's high-end products have received good press lately, including in Stereophile, so I was happy to get a chance to listen to a few of those well-reviewed products in the Yamaha–Luna Cables room.

You want serious audio-purist…

(All prices are in Canadian dollars unless otherwise indicated.)

I'm going to go out on a limb here and assume that every single audiophile, in that moment when they heard the news that PS Audio was coming out with a loudspeaker—not just any speaker, but a statement product—felt a combination of incredulity and curiosity, for a couple of reasons: PS Audio doesn't make speakers. It's an electronics company. In its almost 50-year history, PS Audio has never made a speaker. And suddenly it has, in the aspen FR30 ($40,000/pair).

However, those in the know know that the aspen…

The Music First room was playing some tasty music with eye-popping gear, including the Hungarian-made Bayz Audio Courante loudspeakers ($60,000/pair US with carbon fibre construction), a unique, patented, omnidirectional design. The main, 2" x 8" cylindrical dynamic driver radiates 360° sound, for a sweet spot that encompassed all of the chairs placed in front of them in this listening room.

The rest of the system comprised the Netherlands-made Pink Faun 2.16 Ultra streamer ($30,000 US) (see our review of the Pink Faun 2.16x in the December 2020 issue of Stereophile, two MUTEC…

(All prices are in Canadian dollars unless otherwise indicated.)

You want magic? I'll give you magic. It won't cost you your soul, but it may touch it.

But first, the location: Montreal retailer's Art et Son room, where I met Philip O'Hanlon of On A Higher Note, North American distributor of the BBC-inspired Graham Audio speaker line. Meeting Philip is always a magical experience, and this time was no different. He explained that Graham Audio took the "thin-wall" concept devised by the BBC for its speaker panels and made it better by adding a layer of bitumen-loaded felt…

(All prices are in Canadian dollars unless otherwise indicated.)

Maybe the earth-toned, smoke-spewing phallus standing in the back of the room had something to do with it, but as I listened to the system in the Acora Acoustics/Audio Excellence room, I felt a deep connection to my species—more specifically, to ancient human tradition. No doubt a lot of that feeling had to do with the music I was listening to at the time—Gary Karr's Adagio d'Albinoni—but it also certainly had a lot to do with how the Acora system was able to preserve and convey to me the emotional core of this…

I never really got the sound of Klipsch speakers at past shows, but I did this time, in a big way, in the Capital Sound room, where the Klipsch La Scala III ($17,500) was making seductive, sophisticated music. So what was up? Synergy, undoubtedly, obtained with a brand I'd never heard of before but that apparently has been manufacturing audio products for other companies for 25 years. That company is Slovakia-based Canor, which is so new as a non-OEM brand that exact pricing for their products in North America hasn't been…