Charlap: I don't know—more than that, maybe. It's not that for a jazz musician we just remember E-flat-minor-seven. In my case, I take the whole piece—it is the lyrics, the melody, the harmony, the composer's aesthetic, the jazzman's aesthetic, and all the things in between that shape the vision of the song.
[We listen to "Too Late Now," by Burton Lane and Alan Jay Lerner, from the Bill Charlap Trio's Notes from New York (2016, Impulse! B0024830-02).]
Matson: I love the way you…