Description: Strain-gauge phono cartridge with interchangeable styli (6 choices) and dedicated preamplifier and power supply (two 24V DC wall warts, no specifications provided). Styli supplied (both with ruby cantilever): SGS-5 nude line contact (standard, $399.95 if purchased separately), SGS-6 "Contour Optimized" nude line-contact ($499.95 if purchased separately). Recommended vertical tracking force (VTF): 1.7–1.9gm. Compliance: low–medium, depends on VTF, 10–16µm/mN. Frequency range: DC–70kHz. Effective tip mass: 0.30mg, SG-10; 0.32mg, SG-5. Channel…
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Sidebar 2: Associated Equipment
Analog Sources: Continuum Audio Labs Caliburn, Cobra, Castellon turntable, tonearm, stand; Graham Engineering Phantom II tonearm, Ortofon A90 cartridge.
Digital Sources: Playback Designs MPS-5 SACD/CD player–DAC, BPT-modified Alesis Masterlink hard-disk recorder, Benchmark ADC1 A/D converter, Sooloos music server, Pure Music software.
Preamplification: Ypsilon VPS-100, Allnic H-3000, Einstein Turntable's Choice phono preamplifiers; darTZeel NHB-18NS preamplifier.
Power Amplifier: Musical Fidelity Titan.
Loudspeakers: Wilson Audio Specialties…
This morning I received my press badge for High End 2011. The show takes place at the M.O.C. Events Center (Lilienthalallee 40) in Munich, Germany; it opens on Thursday, May 19 and closes on Sunday, May 22.
I was going to write that I don’t know what to expect, but then I thought about it and I realized that I have some ideas: Long days, hard work, lots of hi-fi, potential communication problems, beautiful people, beautiful music, beautiful beer. And that, actually, sounds a lot like home.
The 2011 High End Show in Munich, Germany, will be the first hi-fi show I’ve attended…
Just moments after receiving my press badge for High End 2011, I received my copy of Vivian Girls’ new album, Share the Joy. Because I’m a big fan of Vivian Girls, I had pre-ordered this album upon Polyvinyl’s announcement of its imminent release. I typically stay away from pre-orders—too many times I’ve pre-ordered an album that, for one unknown reason or another, never gets released—but Polyvinyl makes the process easy, painless, and inescapably enticing by providing an immediate download of your order.
I was expecting the LP, a t-shirt, a button, and a bonus 7-inch…
While I was still basking in the warm, colorful glow of my Polyvinyl package, I received a copy of The Book of Audacity, written by Carla Schroeder and published by No Starch Press. This 359-page guide promises to help “build that home recording studio that you’ve been talking about for years.”
Inside, there are 15 chapters, including “Audacity from Start to Finish,” “Building a Good Digital Sound Studio on the Cheap,” “Transferring Vinyl LPs to CD,” “Authoring Super High-Fidelity Audio DVDs,” and “Configuring Windows for Best Audio Quality,” in addition to appendices on audio hardware,…
Forum member, “tmsorosk,” asks: “Do audiophiles like music?”
It seems a strange question with an obvious answer until you stop and think about it. So many conversations between audiophiles focus on gear and sound, but leave music—that thing which should fuel our passion—lost in the jet-black background.
Ever notice when you and your audiophile buddies get together the conversation is usually 90% equipment and sound, and 10% music? We have been building, tuning, and voicing these systems for decades. Shouldn't the talk be more about music now?
Do you…
On March 17, 2011, Norway’s Hegel Music Systems announced the release of the HD2 and HD20 DACs. The HD2 and HD20 feature what the company claims "may be the world’s most advanced jitter reduction circuitry.”
Ben Holter, founder and chief designer at Hegel, elaborates, “Jitter is what matters. A DAC chip can only work with what it’s given. If the data-stream is not properly synchronized between the sender and the receiver, even the most expensive DAC chip will fail to produce music.”
Holter goes on to say that the improper implementation of asynchronous mode in DACs can actually…
Last night, Yo La Tengo performed at Maxwell’s in Hoboken, New Jersey. All proceeds from ticket and merchandise sales went directly to Peace Winds Japan. In addition, the band matched all merch sales, except for that money spent on their friend Amy’s delicious cookies, joked lead guitarist Ira Kaplan. “We’re not crazy.”
Guitarist/keyboardist/all-around freakout-machine, Ira Kaplan. I don’t remember what song the band was playing at this point, but I like to think that it was “Sugarcube” from their excellent 1997 album, I Can Hear the Heart Beating as One.
On this night,…
It’s amazing how little exaggeration is needed to make a statement like, “When you get out of a cab in Williamsburg, Brooklyn they damned near hand you a guitar.” That former warehouse district is teeming, I mean teeming like insects hatching, with musicians. There have to be at least 200 musical acts—solos, duos, quartets and the rest—now residing in Billyburg. Of course this influx of beautiful artisans—I call the J train, the only subway line from Manhattan to Williamsburg, “The Fashion Train,” because all the riders are shrewishly examining each other’s purses, shoes, etc. etc. etc.—…
Yeah, yeah, I know what you're thinking: "Polk? You're reviewing a $300 speaker from Polk? Get ready for the flames!"
The genesis of this review lies in a casual comment Larry Archibald made last summer. Larry travels a lot, and everywhere he goes, like the archetypical (archibaldical?) audiophile he is, he listens voraciously. After a trip to the east coast, he dropped by my office and laid a bomb on me.
"I heard a pair of inexpensive bookshelf speakers from Polk that really impressed me."
"Um-hum," I replied dubiously, waiting for the punchline.
Larry's no fool…