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I compared…
Description: Moving-magnet/moving-coil phono preamplifier with line-level inputs and outputs and an A/D converter feeding audio data to a USB output. Input impedance: 47k ohms + 200pF (MM), 100 ohms + 180pF (MC). Voltage gain: 35dB (MM), 58dB (MC). Input sensitivity at 300mV output: 5mV (MM), 0.38mV (MC). Signal/noise ratio: 76dB, A-weighted (MM); 78dB (MC). Input overload, 20Hz/1kHz/20kHz): 10/100/900mV (MM), 0.65/6.5/60mV (MC). THD: <0.03%, 20Hz–20kHz at 3V output. Digital output (USB): 16-bit linear PCM. Sampling frequency: 48kHz. Dynamic range: 89dB (MM…
Analog Source: Rega Planar 3 turntable, Syrinx PU-3 tonearm, Clearaudio Virtuoso Wood cartridge.
Digital Source: Creek Destiny CD player.
Integrated Amplifiers: Creek Destiny, Marantz PM5003.
Loudspeakers: Epos M5 & M5i.
Cables: Interconnect: MIT Magnum M3 & MI-350 CVTwin Terminator. Speaker: Acarian Systems Black Orpheus.
Accessories: Various by ASC, Bright Star, Simply Physics, Sound Anchor, VPI.—Robert J. Reina
I measured the NAD PP 3 with Stereophile's loaner Audio Precision SYS2722 system. (See www.ap.com and "As We See It" in the January 2008 issue.) I examined its performance both from its analog line outputs and in the digital domain, using the Mac version of the free VinylStudio Lite program supplied by NAD to create files from the PP 3's USB output fed to my Apple MacBook. The Mac USB Prober utility identified the NAD as "USB Audio Codec, Burr Brown from TI," and revealed that the A/D converter operates with 16-bit word lengths at sample rates of 32, 44.1, and…
Robert Harley was looking for a well-rounded speaker, and thinks he found it in the Thiel CS3.6 loudspeaker. He writes, "the inherent tradeoffs in various designs make it difficult to find a loudspeaker that does everything well. This ideal loudspeaker may not quite reach the pinnacle of performance in individual areas offered by other designs, but its overriding virtue is that it comes…
Wired magazine is one of the oddest of technology's many odd commodities. The self-consciously ultra-hip journal has positioned itself since its inception as the clarion of the new age of paperless publishing. Its parent organization, Wired Ventures, Inc., has long put its money where its mouth is by supporting Wired Digital, Wired's online equivalent.
But in its four-year existence, Wired Digital has never turned a profit: leading by example, heralding the…
From the December issue, Brian Damkroger takes on the Burmester 001 CD player, insisting that "a $14,000 CD player stops me in my tracks. Just what makes it so expensive? More important, can it possibly be that good?" BD details the answer.
For his "As We See It" from December, The Angels' Share, Wes Phillips asserts, "It's only a CD-R with a self-adhesive label and computer-generated inserts, but it's what the major record…
Sebastapol, CA–based Mobile Fidelity built a large and loyal following in the audiophile community, beginning with its release of high-quality half-speed remasterings of popular recordings in the 1970s. The company benefited from the CD revolution in the 1980s with a series of extremely successful "gold" reissues, but in the late 1990s suffered a cash crunch—the result of bad…